MOVIES

INTRODUCTION
Watching movies is a great way for you to improve your English,
especially your listening and speaking skills. Movies are not
usually created for English language learners - they are made for
native English speakers. Therefore, the language is exactly how
you hear it in real life - it is spoken quickly, with native
accents and pronunciation and using many idioms and colloquial
expressions.
Watching movies in English helps you in many ways. First, you
improve your listening skills. You hear English being used in a
very natural way. Some parts may be spoken too fast for you to
understand, but it is a perfect way for you to get used to
hearing native speakers talk to each other. You also hear
informal English and slang words and phrases that you often do
not find in books or dictionaries. Second, hearing natives speak
also helps your speaking skills, especially your fluency. You
hear how to link your words together and where to put intonation
on certain words and sentences. Why not watch movies with your
friends and speak about them afterwards? Or you could even find
movie scripts online and act out scenes with your friends! You
can then play the scene to check if your pronunciation was
correct. Third, English pronunciation is extremely difficult and
when you read words, it is hard to know how they should be said.
Hearing native English speakers talk to each other helps you to
hear how words are pronounced. If you are using English
subtitles, you are also able to see how the words are written.
Fourth, by watching English movies, you hear many new words and
phrases, especially idioms and colloquial expressions. You may
keep a notebook with you and write down any new words or phrases
that you hear and you would like to remember or you do not
understand. You can look up the meaning later or ask your English
teacher or TOEFL instructor. Finally, in your English classes,
you learn a lot of vocabulary and grammar, but you may not know
how to use it in real life. Watching movies in English helps you
understand how to use all the knowledge that you have learned in
everyday situations.
Whatever your level of English is, you might be tempted to switch
on subtitles. If so, use English subtitles so that you can read
along while you are listening. Of course, if watching a film in
English and reading English subtitles is too difficult, you
should start by watching movies with subtitles in your language.
Do not be afraid to replay parts of the movie that you do not
understand, or turn subtitles on just for one important scene. If
you have time, you can even watch the movie (or part of the
movie) first with no subtitles, then with English subtitles, and
if you still do not understand fully, you can watch it a final
time with subtitles in your language. This will really help you
practice your English listening skills.
MOVIE LIST
Choosing a movie to watch that is suitable for your level of
English can be difficult. Speak to your English teacher or TOEFL
instructor for recommendations of good movies to watch for your
level of English.
21 (2008)
Director Robert Luketic adapts Ben Mezrich's best-seller BRINGING
DOWN THE HOUSE: THE INSIDE STORY OF SIX M.I.T. STUDENTS WHO TOOK
VEGAS FOR MILLIONS to tell the true-life tale of six genius
students who used their brains to beat considerable odds. Ben
Campbell (Jim Sturgess) may be shy, but his wallflower reputation
betrays his inner brilliance. As smart as Ben may be, however, if
he can't pay his tuition he'll be kicked out of MIT. Fortunately,
the answer to all of Ben's problems is right there in the cards.
Recruited to join a team of extremely gifted students who have
used their mastery of numbers to beat the odds at blackjack, Ben
procures a fake identity in order to join the casino scammers and
their brilliant leader - eccentric math professor and stats
genius Micky Rosa (Kevin Spacey) - in some highly profitable
weekend excursions to Las Vegas. Counting cards isn't illegal,
and by using a complex series of signals, this team has cracked
the code. Of course, it doesn't take long for Ben to become
seduced by the glamorous Las Vegas lifestyle, and the attention
afforded to him by his sexy teammate Jill Taylor (Kate Bosworth)
finds him pushing his luck to the absolute limits. Laurence
Fishburne stars as Cole Williams, the Sin City security chief who
catches on to the group and makes it his mission to expose their
lucrative blackjack scam.
300 (2007)
SIN CITY author Frank Miller's sweeping take on the historic
Battle of Thermopylae comes to the screen courtesy of Dawn of the
Dead director Zack Snyder. Gerard Butler stars as Spartan King
Leonidas and Lena Headey plays Queen Gorgo. The massive army of
the Persian Empire is sweeping across the globe, crushing every
force that dares stand in its path. When a Persian envoy arrives
in Sparta offering King Leonidas power over all of Greece if he
will only bow to the will of the all powerful Xerxes (Rodrigo
Santoro), the strong-willed leader assembles a small army
comprised of his empire's best fighters and marches off to
battle. Though they have virtually no hope of defeating Xerxes'
intimidating battalion, Leonidas' men soldier on, intent on
letting it be known they will bow to no man but their king.
Meanwhile, back in Sparta, the loyal Queen Gorgo attempts to
convince both the skeptical council and the devious Theron
(Dominic West) to send more troops despite the fact that many
view Leonidas' unsanctioned war march as a serious transgression.
As Xerxes' fearsome "immortals" draw near, a few noble Greeks vow
to assist the Spartans on the battlefield. When King Leonidas and
his 300 Spartan warriors fell to the overwhelming Persian army at
the Battle of Thermopylae, the fearless actions of the noble
fighters inspired all of Greece to stand up against their Persian
enemy and wage the battle that would ultimately give birth to the
modern concept of democracy.
88 minutes (2007)
The film opens with a scene of an unknown assailant breaking into
the home of two sisters. After one goes to sleep, the attacker
subdues one of them using halothane and murders her after
torturing her. After police questioning, the attacker, Jon
Forster (Neal McDonough), is convicted by a jury after Gramm
testifies against him in court. As Gramm leaves, Forster taunts
him, saying "Tick tock." Nine years later, several similar
torture murders with very similar modi operandi occur. Gramm is
questioned but released. On the way to his class, he receives a
threatening phone call telling him that he has 88 minutes to
live. He reports the threat to Shelly (Amy Brenneman), his
secretary, and brushes off the threat. He receives another call
while teaching, and he becomes suspicious of the students. A
dean, Carol (Deborah Kara Unger), enters the classroom and warns
of a bomb threat, telling everyone to leave. Gramm finds written
threats in the classroom. Gramm goes to the parking lot to see
that his car has been vandalized with a similar threat. Later,
one of his students, Lauren Douglas (Leelee Sobieski), is
attacked by an unknown attacker. Gramm reports this to the police
after questioning nearby people. Gramm later discovers through a
tape that someone had accessed his secure files. With the help of
his teaching assistant Kim (Alicia Witt), Gramm tries to notify
authorities while trying to uncover Forster's past at the same
time. Later, Carol tells Gramm to meet her at a location, giving
Gramm a similar threat. Soon after, Kim calls Gramm with a
similar threat. Before leaving, he manages to convince Agent
Parks (William Forsythe) to make a rendezvous with him. Gramm
arrives and finds that Lydia (who is actually Lauren under a
pseudonym) had set this up and was working with Forster all this
time. Carol has been hung over a balcony while Kim has been tied
up. Lauren threatens Gramm with a gun and forces him to "confess"
that he gave false details at the trial, but Parks arrives and
shoots Lauren, causing both Carol and Lauren to fall. Gramm tries
to save both but is unable to hold Lauren and haul up Carol, and
chooses Carol over Lauren who falls to her death. However, he
manages to save Carol with the help of Parks. When Forster calls,
Gramm tells him that Lauren is dead and that Forster only has 12
hours to live.
A GOOD YEAR (2006)
Max Skinner (Russell Crowe) is a 30-something aggressive
financial banker in London, suddenly left without a sense of
purpose after being fired. When his uncle Henry (Albert Finney)
dies, Max inherits a vineyard estate in Provence in southeastern
France. He fondly remembers the pleasant childhood moments spent
at the vineyard and the prospects of returning there seem like a
nice alternative to his present situation. With a generous loan
from his former brother-in-law Charlie (Tom Hollander), Max, fed
up with the cold, rainy England weather, sets out to Southern
France. Upon his arrival, he is surprised to find the estate, Le
Griffon, in a tragic condition. Max enlists the help of some of
the eccentric locals and soon finds himself sitting back and
enjoying the simple pleasures that life has to offer. He even
begins to attract the attentions of two striking ladies, the
local notary Nathalie (Valeria Bruni Tedeschi) and the sensuous
cafe owner Fanny (Marion Cotillard). His carefree life
complicates instantly with the arrival of uncle Henry's long-lost
daughter, Christie Roberts (Abbie Cornish), who claims to have
the rights to the estate.
A PERFECT MURDER (1998)
A PERFECT MURDER is based on Frederick Knott's play DIAL M FOR
MURDER, filmed by Alfred Hitchcock in 1954. Steven Taylor
(Michael Douglas) is a Wall Street hedge fund manager who has
risen a long way to achieve his riches. His successful
investments and speculations allow him to live an extravagant
upper-class lifestyle with his beautiful and much younger wife,
Emily (Gwyneth Paltrow). Unfortunately for Taylor, his
investments are unraveling and he knows he is going to need his
wife's personal fortune to maintain his status and lifestyle.
Emily seems like a devoted, faithful wife, but in reality, she is
having an affair with a penniless painter, avid (Viggo
Mortensen), and is considering leaving her husband. Although she
thinks herself safe, Steven knows everything about the affair,
and has also been able to uncover the painter's dark past. He
pays the artist a visit and confronts him with knowledge about
the affair and the fact that Steven knows about the artist's
prison time and past con games against rich women. He also sees
the wedding ring that Emily left. All seems lost for the artist,
until Steven makes him an offer. He is willing to pay $500,000 in
cash for the death of his wife. Steven has already laid out a
detailed plan, one which will supply him with a firm alibi and
keep the murder from being traced to his wife's lover...
ANASTASIA (1997)
Based on the legend of the real-life daughter of the last Russian
czar Nicolas II, Anastasia combines imaginative animation and
lively songs to tell the story of a princess who escapes a
horrible execution and mysteriously reappears after being thought
dead. This animated movie is an enchanting fairy-tale packed with
thrills, chills and romance. A young Russian princess Anastasia
(voiced by Kirsten Dunst) is at a party, when Grigori Rasputin
(voiced by Christopher Lloyd), the scary evil genius of the czar
family, declares a curse on the Romanovs. Anya and her
grandmother escape with the help of a young kitchen boy Dimitri
(voiced by Glenn Walker), but Anya falls at the train station,
hits her head, misses the train to Paris and loses her memory.
Ten years later, a grown-up Anastasia (voiced by Meg Ryan) leaves
the orphanage where she grew up, and goes to Saint Petersburg
with her puppy friend Pooka. When a team of two young Russian
swindlers, a grown-up Dimitri (voiced by John Cusack) and
Vladimir (voiced by Kelsey Grammer), recruit spunky Anastasia in
their plot to defraud the Dowager Empress Marie (voiced by Angela
Lansbury) in Paris with a faux Romanov heir, little do they know
that their carefully coached fake is the real thing. However, the
resurgence of the long-lost Anastasia also attracts the attention
of the undead Rasputin, who is stuck in limbo. His curse is
unfulfilled and he won't be at peace until all the Romanovs are
dead. With his hilarious sidekick, Bartok the Bat (voiced by Hank
Azaria), he schemes to do in Anastasia since he knows that she is
the last Romanov. Anastasia must battle the evil Rasputin, his
albino companion Bartok and a host of ghostly minions in a
headlong race to reach Paris and reclaim her rightful destiny...
On her way to Paris, Anastasia is slowly falling in love with
Dimitri... What is waiting for her in Paris?
ANTITRUST (2001)
Just how far should one man go to stay ahead of his competition?
Milo Hoffman (Ryan Phillippe), a Stanford graduate and an
idealistic whiz at computer software design, and his several
equally talented friends, including Teddy Chin (Yee Jee Tso),
intend to launch a hi-tech start-up firm based on Milo's
inventive ideas in convergence, in which he's helping to create
new ways for different forms of digital technology to work in
harmony. However, before Milo and his friends can get their
company off the ground, Milo receives a very tempting offer from
Gary Winston (Tim Robbins), a trailblazing genius in the digital
world and a software magnate, pseudo-Bill Gates, the immensely
wealthy head of a world-dominating Portland-based company called
NURV (which stands for "Never Underestimate Radical Vision").
While Milo is sympathetic to Teddy's beliefs that computer
technology should belong to the people and that open source
software is the most promising future lies, Winston has long been
Milo's role model in design and research, and Milo feels
Winston's offer is too good to pass up. Thus, Milo takes the
bait, leaving his friends behind. Arriving in Portland to a
NURV-provided house and car, with his girlfriend Alice Poulson
(Claire Forlani) in tow, Milo finds himself working on Winston's
master plan called Synapse, a unique piece of software that will
link the world's communication devices together. But Milo
underestimates the ruthlessness of the leading-edge software
industry, and it's not long before Milo begins to uncover
disturbing evidence of Winston's unethical and brutal business
tactics. When Winston's web of violence touches Milo's world, he
joins forces with Lisa Calighan (Rachael Leigh Cook), a fellow
NURV programmer, and sets out to tell the world of Winston's
reprehensible means of dispatching anti-trust problems... But,
whom can he trust in the high stakes world of computer
technology? Though obviously influenced by the practices of a
certain Pacific Northwest-based software empire (i.e., Microsoft)
and its recognizable leader (i.e., William Henry Gates III),
Howard Franklin's script is a snappy popcorn-muncher that manages
to generate suspense even though it realizes its own excesses.
Tim Robbins, as an evil geek, Gary Winston, surpasses
himself.
ARTIFICIAL INTELLIGENCE
(2001)
In the not-so-far future the polar ice caps have melted as a
result of runaway global warming and the subsequent raise of the
ocean waters has drowned all the coastal cities of the world.
Withdrawn to the interior of the continents, the human race keeps
advancing, reaching to the point of creating sophisticated
companion robots called Mechas. One of the Mecha-producing
companies builds David (Haley Joel Osment), an advanced prototype
11-year-old robot boy which is the first programmed to have real
feelings, especially a never-ending love for his "mother", Monica
Swinton (Frances O'Connor), who adopted him as a substitute for
her real son, who remains in cryogenically frozen, stricken by an
incurable disease. David is living happily with Monica and her
husband, but when their real son returns home after a cure is
discovered, his life changes dramatically. Suddenly, David finds
himself in a strange and dangerous world full of petty and cruel
human beings who had to create artificial love because they had
lost the actual feelings of love themselves. Accompanied by a
streetwise Mecha called Gigolo Joe (Jude Law) and his animatronic
talking teddy bear called Teddy, David embarks on a spectacular
quest to discover the startling secret of his own identity hoping
to become a real boy so that he can win back the affection of the
human mother who abandoned him. Like Pinocchio, whose story he
overheard when Monica was reading it to her real son, he goes on
a long journey hoping to find his "Blue Fairy", who once changed
Pinocchio into a real boy and who can now make his own dreams
come true too...
AUSTRALIA (2008)
Lady Sarah Ashley (Nicole Kidman) is a prim and proper
Englishwoman who journeys to Australia in the years before World
War II reached the country's shores. She is determined to have
her estranged husband sell his cattle ranch to a monopoly-craving
businessman named King Carney (Bryan Brown), but when she
arrives, Lord Maitland Ashley is dead, and her plan to sell the
ranch changes when she sees an employee named Neil Fletcher
(David Wenham) cheating her husband's business and mistreating a
young boy named Nullah (Brandon Walters) because he is of mixed
race. Urged on by both pride and a sense of justice, Lady Ashley
wants to drive her herd of cattle to Darwin so she can sell them
to the troops, but she'll require the help of an independent
cowboy named Drover (Hugh Jackman) to get them there. AUSTRALIA
changes genres almost as much as Kidman's character changes from
fantastic costume to fantastic costume (courtesy of Luhrman's
wife and collaborator, Catherine Martin). The film begins as a
fish-out-of-water comedy, then changes into a Western, then
morphs into a romance, and it finishes as a World War II drama.
But in this genre-bending epic, there's something for everyone,
especially for fans of Jackman. The actor has rarely looked
better, and there's plenty of opportunity for him to show that he
can be an action star as well as a romantic lead in the mold of
the Golden Age stars. The film itself harks back to classic
Hollywood, at times resembling essentials such as GONE WITH THE
WIND and THE AFRICAN QUEEN. And fans of THE WIZARD OF OZ will
enjoy seeing how the beloved film works its way into AUSTRALIA's
plot and score.
BICENTENNIAL MAN (1999)
If a robot spends enough time around humans, can he learn to
become one of them? The Martin family purchases a domestic
android as a servant and names him Andrew (Robin Williams).
Andrew comes to know the man of the house as Sir (Sam Neill), his
wife as Ma'am Wendy Crewson, and their daughter as Portia (Embeth
Davidtz); before long, the Martins suspect that they do not have
an ordinary robot on their hands. Andrew seems capable of
expressing emotion and generating original thoughts, and the
longer he stays with the Martins, the more strongly these human
traits manifest themselves. Over the next 200 years, Andrew
becomes less a machine and more a member of the family, until a
mechanic (Oliver Platt) tells Andrew that he might be able to
turn him into a human being. Based on a short story by renowned
science fiction author Isaac Asimov (surprisingly, it's only the
second Asimov story to be brought to the screen), BICENTENNIAL
MAN was directed by Chris Columbus, who previously worked with
Robin Williams on MRS. DOUBTFIRE.
BROKEBACK MOUNTAIN (2005)
From Academy Award-winning filmmaker Ang Lee comes an epic
American love story, based on the short story by Pulitzer
Prize-winning author Annie Proulx and adapted for the screen by
the team of Pulitzer Prize-winning author Larry McMurtry and
Diana Ossana. Set against the sweeping vistas of Wyoming and
Texas, the film tells the story of two young men - a ranch-hand
and a rodeo cowboy - who meet in the summer of 1963, and
unexpectedly forge a lifelong connection, one whose
complications, joys and tragedies provide a testament to the
endurance and power of love. Early one morning in Signal,
Wyoming, Ennis del Mar (Heath Ledger) and Jack Twist (Jake
Gyllenhaal) meet while lining up for employment with local
rancher Joe Aguirre (Randy Quaid). The world which Ennis and Jack
have been born into is at once changing rapidly and yet scarcely
evolving. Both young men seem certain of their set places in the
heartland - obtaining steady work, marrying and raising a family
- and yet hunger for something beyond what they can articulate.
When Aguirre dispatches them to work as sheepherders up on the
majestic Brokeback Mountain, they gravitate towards camaraderie
and then a deeper intimacy. At summer's end, the two must come
down from Brokeback and part ways. Remaining in Wyoming, Ennis
weds his sweetheart Alma (Michelle Williams), with whom he will
have two daughters as he ekes out a living. Jack, in Texas,
catches the eye of a rodeo queen Lureen Newsome (Anne Hathaway).
Their courtship and marriage result in a son, as well as jobs in
her father's business. Four years pass. One day, Alma brings
Ennis a postcard from Jack, who is en route to visit Wyoming.
Ennis waits expectantly for his friend, and when Jack at last
arrives, in just one moment it is clear that the passage of time
has only strengthened the men's attachment. In the years that
follow, Ennis and Jack struggle to keep their secret bond alive.
They meet up several times annually. Even when they are apart,
they face the eternal questions of fidelity, commitment and
trust. Ultimately, the one constant in their lives is a force of
nature - love.
BRUCE ALMIGHTY (2003)
Whether or not a person believes in God, most people have thought
they could make things better if they ran the world. Some would
end world hunger, some would make world peace, and other would
just fix the problems in their own lives. But few people would
ever consider the burden and awesome responsibility of the
universe's most absolute power. How would prayers be answered?
How would you handle disasters and riots? What would you do if
someone did not believe in you? Bruce Almighty presents a view of
what would happen if a man's will were done. Bruce Nolan (Jim
Carrey) is a field reporter for the local Eyewitness News TV
station in Buffalo, New York, who lives a normal life with his
sweet girlfriend Grace Connelly (Jennifer Aniston), who runs a
day care center and adores Bruce. However, Bruce isn't satisfied.
Tired of chasing cornball human interest stories, Bruce Nolan
dreams of anchoring the evening news. Just when it seems he might
get his big break, an ambitious rival beats him out. Bruce is
incensed. He has an on-air meltdown, punctuated by a four-letter
word not yet cleared for network television. On this worst day of
Bruce's life, he's fired from the station, beaten up by a gang of
toughs, and his car is vandalized. Furious, Bruce rails and rages
against the Lord for his rotten luck - which is followed by a
curious set of signs, one of which leads him to an old building
called Omni Presents, Inc. There, Bruce meets a janitor who
reveals himself to be who he really is - God! He's heard Bruce's
complaints and now has an offer for the choleric newscaster - his
job. By endowing Bruce with all his powers, God challenges him to
take on the job and see if he can do any better! Of course, there
are some conditions. Bruce can only have the "almighty" powers
for 24 hours and only in the Buffalo area. Bruce can't tell
anyone about the deal, and he's not able to affect people's free
will. This doesn't stop Bruce, and he responds to his newfound
powers with selfish, childlike zeal. Like a kid in a candy store,
Bruce sets off making one hysterical, yet disastrous, decision
after another. He increases the bust size of his live-in
girlfriend and pulls the moon closer to the earth so he can have
a more romantic evening with her, unaware that his actions cause
a tidal wave in Japan. He parts traffic. He teaches his dog to
use the toilet. He responds to the prayers of the world with a
mass e-mail "yes" that creates millions of lottery winners,
riots, and mayhem. He humiliates his enemies. He even gets his
job back and elevates his career to a new level. Ultimately,
Bruce proves he is only human, and cannot possibly fill God's
shoes, although he has a great time trying.
BULLETPROOF MONK (2003)
What do you get if you cross The Matrix with Crouching Tiger,
Hidden Dragon? You will get Bulletproof Monk, an entertaining
action-comedy flick that is based on the cult comic book series.
In 1943, the Buddhist Temple of Sublime Truth in Tibet is
besieged by the Nazis seeking an ancient document, the Scroll of
the Ultimate. Whoever deciphers its symbolism and reads the
scroll in its entirety will gain unearthly powers and will be
able to control the world, so the scroll must have a protector at
all times to prevent some crazy dude with delusions of grandeur
from finding it and exploiting it. After having escaped with the
scroll, a mysterious Tibetan monk with no name (Yun-Fat Chow, a
Crouching Tiger, Hidden Dragon star), a martial arts master, has
traversed the globe to protect it for the last 60 years. Well,
the time has come for our protagonist to pass the scroll on to
another scrollkeeper. The problem is he's not yet sure who that
other is. All he has are a few clues passed down to him when he
originally received the scroll so long ago. The clues lead him to
New York City where it appears his successor is Kar (Seann
William Scott, an American Pie star), an apparently stereotypical
streetwise punk pickpocket who only cares about himself but who
turns out to be more than he appears to be at first. The monk,
reluctantly, takes Kar under his wing to teach him a thing or two
and Kar, reluctantly, accepts. Together, they must protect the
scroll from Strucker (Karel Roden), a hidden mean-tempered Nazi
officer who's been chasing the scroll for about as long as the
monk has been protecting it. Now wheelchair bound, he is still
desperate for eternal youth and hungry for world domination. He
is helped by his granddaughter Nina (Victoria Smurfit). The Monk,
Kar and a sexy Russian mob princess, a daughter of Ivan the
Terrible, called Bad Girl (Jaime King) must struggle to face and
fight the ultimate enemy. In Bulletproof Monk, this wonderful
blend of fantasy, martial arts, action and comedy, the villains
are villainous, the heroes are heroic, the action is cool, and
the one-liners fly fast and furious. No doubt, you should give
Bulletproof Monk a shot...
CARS (2006)
Talking cars rediscover the quirky originality of middle America
in this inventive animated film from the folks at Pixar (TOY
STORY, FINDING NEMO). Owen Wilson does the voice of arrogant
rookie racecar Lightning McQueen, who winds up stranded in the
small desert town of Radiator Springs on his way west to a big
showdown. Sentenced to community service after literally tearing
up the road in a high-speed chase, at first all Lightning can
think of is getting back to the world of corporate sponsorship
and merchandising tie-ins he loves so well. Eventually, however,
the eccentric residents of Radiator Springs begin to grow on him,
especially the attractive lady Porsche lawyer (voiced by Bonnie
Hunt) and a rusty old tow-truck (voiced by Larry the Cable Guy).
There's also a hippie Volkswagen (voiced by George Carlin), a
low-riding T-bird (voiced by Cheech Martin) and Paul Newman as
the gruff, curmudgeonly Doc Hudson, the town judge who harbors
his own checkered-flag past. The story may not be new, but
Pixar's precision-engineered animation brilliantly illuminates
the town and its surrounding cactus-studded vistas down to the
minutest detail, and director/writer John Lasseter keeps the
film's satiric wit and generous heart in perfect alignment.
Adults in the audience should appreciate the film's celebration
of old-school American eccentricity, and the kids will dig all
the thunderous grit and high-octane wheel burning. Randy Newman
composed the score; James Taylor sings one of the songs.
CATS & DOGS (2001)
How can you hate a movie that features ninja Siamese cats
wreaking havoc with their kung fu prowess? That's one of the
highlights in Cats & Dogs, an effects-laden family film that
mystifies cat fanciers by casting dogs as the undisputed heroes
in all-out warfare with nefarious felines. Hidden headquarters
and high-tech gadgets are featured on both sides of this age-old
battle. On the feline side, a power-mad white longhaired Persian
cat named Mr. Tinkles (voiced by Sean Hayes) plots to sabotage
the efforts of Professor Brody (Jeff Goldblum) to discover a
chemical formula that would give humans immunity to dog
allergies, making dogs the clear favorites of humans over cats,
their age-old enemies. On the canine side, stalwart shepherd
Butch (voiced by Alec Baldwin) trains the mistakenly recruited a
rookie beagle puppy agent named Lou (voiced by Tobey Maguire) to
foil Mr. Tinkles's scheme - a mission that begins when Mrs. Brody
(Elizabeth Perkins) adopts Lou for her son Scott (Alexander
Pollock). When Mr. Tinkles decides to kidnap the professor and
his family and to reverse the formula, making all humans allergic
to dogs, Butch and Lou must stop these nefarious plans. Using
combinations of live animals, animatronic puppets, and digital
wizardry, Cats & Dogs reveals an amusingly secretive world of
talking felines and canines where cats parachute out of stealth
planes in night-vision goggles and dogs operate hi-tech computer
equipment, climaxing with a feline global-domination scheme
involving mice sprayed with chemicals that will make all humans
allergic to dogs. In one of the film's most stunning sequences, a
Russian Blue mercenary kitten (voiced by Glenn Ficarra) attacks
the Brody household with an arsenal of weapons including plastic
explosives and bladed boomerangs. Goldblum and Perkins gamely
play second fiddles to this menagerie of mayhem, and as madcap
"realism" gives way to cartoonish fantasy, the movie escalates
into utter chaos, burdened by lame jokes but highlighted by a
furry supporting cast including a Saluki hound named Ivy (voiced
by Susan Sarandon), a shaggy sheepdog called Sam (voiced by
Michael Clarke Duncan), and a Chinese hairless techno-geek named
Peek (voiced by Joe Pantoliano).
CHAIN REACTION (1996)
In a University of Chicago alternate-fuel research lab, a team of
scientists and technicians led by Paul Shannon (Morgan Freeman)
have achieved an earth-shaking triumph. After years of tireless
work, they have tapped a simple, yet almost infinitely powerful
way to produce energy from water - cleanly, efficiently,
abundantly - for a fuel-starved, pollution-weary world. What
impact will this discovery have on us all? It is not an easy
question since we all are living in the world addicted to
petroleum... After the celebration of their success, student
machinist Eddie Kasalivich (Keanu Reeves) accompanies his
colleague, physicist Dr. Lily Sinclair (Rachel Weisz), to her
home. When Eddie comes back to the research facility to get his
motorcycle, he finds his mentor lying dead on the floor and the
industrial warehouse that was home to their experiment is about
to be blown by the uncontrolled chain reaction. Suddenly caught
in a chain reaction of murder and high-tech espionage, the two
colleagues are forced to go on the lam after being framed for the
sabotage of their laboratory, the destruction of several city
blocks in an industrial area and the death of a prominent
scientist who was determined to give details of the discovery
freely to all the nations of the world. A half-dozen of federal
agencies including the FBI agents Ford and Doyle (Fred Ward and
Kevin Dunn) and several bad guys from another research group,
which is also searching for a way to produce cheap energy and
which is unknown not only to Eddie and Lily but also to the rest
of the world, are pursuing the couple across the country. In a
dizzying chase across new frontiers of science and adventure,
Eddie and Lily are trying to discover who is behind this
far-reaching, shadowy and deadly conspiracy, to find the stolen
invention, and hopefully to clear themselves of the false
charges. But the couple has to be very careful, because one false
move could be their last.
CITY OF ANGELS (1998)
What happens if an angel yearns for the most everyday mortal
experiences: to taste a pear, to cry, to feel the touch of a
hand... to fall in love? And what would an angel be willing to
give up for those experiences? Conversely, what would make a
rational mortal woman - a no-nonsense surgeon who firmly relies
on her own earthly abilities - become drawn to a spiritual man
whose very existence is almost impossible for her to accept? How
would she have to change to understand him? Two souls, one mortal
and one celestial, must struggle with their willingness - and
finally, their need - to sacrifice everything familiar for the
sake of love. This film got its start as an adaptation of Wim
Wenders' Wings of Desire, the story of an angel who falls in love
and wishes to become human. City of Angels is the story of Seth
(Nicolas Cage), an angel who wanders Los Angeles invisible to
humans. He shares his experiences with another angel, Cassiel
(Andre Braugher). As the demise of an individual approaches, he
spends time near them and becomes visible while acting as their
traveling companion during their trip to the great hereafter.
However, he finds his job difficult as he falls in love with
Maggie Rice (Meg Ryan), a beautiful heart surgeon. While she
believes that it is her job to save the lives of her patients,
Seth believes it's simply their time to go... Intrigued by his
presence and opinion, Maggie becomes interested in Seth, and soon
his not-quite-mortal state seems a barrier rather than a gift. A
choice must be made between celestial duty and earthly love. He
meets Nathaniel Messinger (Dennis Franz), one of Maggie's
patients. Messinger can see him because he was once an angel but
gave his power up to become human. This inspires Seth to forego
his immortality and to exist on earth with her as a feeling and
mortal entity so that he can feel, smell and love Maggie.
CONSTANTINE (2005)
John Constantine (Keanu Reeves) was born with a gift or a curse
to see demons and angels walking this earth disguised as humans.
Demons and angels cannot make a person do anything, but they can
whisper in your ear and give you an urge to do it. As a child,
John could not understand what he was seeing, and he had enough
of this life and wanted to leave this cruel world by killing
himself. Unfortunately for John, he is saved from death, and now
must atone for his act. John is given extraordinary powers, and
becomes a guardian on earth. Whenever a demon breaks the rules,
John exorcises them and sends them back to Hell. John is known by
the police for working in the supernatural field of the occult,
and Los Angeles police detective Angela Dodson (Rachel Weisz)
wants his help in her investigation. Angela has discovered that
spirits are walking the earth, and she believes they had some
connection to the suicide of her twin sister. Angela becomes
aware that John can see these spirits, and she wants to see them
too. John reluctantly grants her wish. John and Angela must deal
with representatives of both Heaven and Hell to save
humanity.
DEMOLITION MAN (1993)
In 1996, blonde-haired psychopathic urban terrorist Simon Phoenix
(Wesley Snipes), who is so nasty he even kills sometimes just
because he feels cranky, is imprisoned in ice for the protection
of society. Phoenix is captured by his arch-nemesis, one of the
LAPD's most notorious cops, John Spartan (Sylvester Stallone),
known as "the demolition man", who also suffers the same fate
after Phoenix frames him for the deaths of a busload of innocent
bystanders. While in deep freeze John's brain is filled with a
love of knitting while Simon gains knowledge in computers,
weapons and fighting techniques. In 2032, Phoenix mysteriously
escapes cryoprison during a routine parole hearing. He finds
himself in the renamed city of San Angeles, a futuristically
utopian megalopolis of the politically correct stretching from
Santa Barbara to San Diego, where red meat, salt, sugar, smoking
and sex have all been outlawed. Arnold Schwarzenegger was (at one
time) President of the United States, and Taco Bell is the sole
survivor of the Franchise Wars. The megalopolis is governed by
benevolent dictator Dr. Raymond Cocteau (Nigel Hawthorne) and his
Associate Bob (Glenn Shadix). It is Dr. Cocteau who ordered to
defrost Simon for parole and arranged his escape to have him
murder Edgar Friendly (Denis Leary), the leader of a group of
underground rebels. But Cocteau bites off more than he can chew
when the melted down Simon proceeds to go on a crime spree on the
now violence-free populace of San Angeles. The police force of
the future is incapable of apprehending Simon after he escapes
since the worst threat the police have to deal with is bad
language. Thus, the police department is forced to release John
from the cryogenic prison to recapture the one-man wrecking crew
on the loose in this sterile paradise. In the process, Spartan
discovers the corruption beneath San Angeles' pristine surface
and the opposition led by Edgar Friendly. Through non-stop jokes
and action, Spartan shows the docile, futuristic police force,
including Chief George Earle (Bob Gunton), Lieutenant Lenina
Huxley (Sandra Bullock) and Alfredo Garcia (Benjamin Bratt), that
the old ways are sometimes the best ways.
EDGE OF TOMORROW (2014)
An alien race has hit the Earth in an unrelenting assault,
unbeatable by any military unit in the world. Major William Cage
(Tom Cruise) is an officer who has never seen a day of combat
when he is unceremoniously dropped into what amounts to a suicide
mission. Killed within minutes, Cage now finds himself
inexplicably thrown into a time loop-forcing him to live out the
same brutal combat over and over, fighting and dying again...and
again. But with each battle, Cage becomes able to engage the
adversaries with increasing skill, alongside Special Forces
warrior Rita Vrataski (Emily Blunt). And, as Cage and Vrataski
take the fight to the aliens, each repeated encounter gets them
one step closer to defeating the enemy!
EQUILIBRIUM (2002)
In the future, after World War III has decimated much of the
Earth's population, a new nation known as Libria rises up.
Believing human emotions and their expression were to blame for
the failings of past societies, books, music records, motion
pictures, decorated interiors paintings and other cultural
artifacts that might promote varied moods and emotions are being
eliminated. Any feeling, such as desire, happiness, awe, love,
passion, anger, fury, fear, confusion and hope, is strictly
forbidden and is considered a crime punishable by death. Each
citizen is required to take Prozium, a mind-altering drug that
hinders emotion. However, there are those who, while hiding
underground, rebel against the system by refraining from taking
the drug and keeping works of art. The mysterious leader of the
nation known as the Father (Sean Pertwee) is assisted by elite
government secret service members known as the Grammaton clerics,
who are trained like Samurai mastering a fighting art called the
Gun-Kata, a fast and furious combination of Western fire-power
with Eastern discipline of the body. Clerics track down and
destroy "sense offenders", or those who resist the rules by not
taking their pills, and find and crush sentimental, sensual, and
artistic relics from a bygone era. Cleric John Preston (Christian
Bale) is one of the best top ranking government agents. After
letting his wife be arrested for a series of sense offenses and
after killing his former partner Partridge (Sean Bean) for the
same reason, Preston becomes intrigued by his victims and that
which they die to cherish. One day, Preston accidentally fails to
take his doze of Prozium, and for the first time begins
experiencing emotions himself. Preston, who has been trained to
enforce the strict laws of the new regime, begins to have doubts
about the policy he is enforcing. He becomes aware of the
underground and he finds himself becoming infatuated with one of
their number, Mary O'Brian (Emily Watson), a doomed sense
offender. After falling in love with Mary, Preston understands
that he, cleric, is the very person who is capable of changing
the warped reality by overthrowing the existing regime. To do
that, he should depose DuPont (Angus MacFadyen), the sinister
controller of Libria who serves as the mysterious Father's
mouthpiece, and his new partner, cleric Brandt (Taye Diggs), an
intuitive but hardcore government man determined at all costs to
keep the system working.
EX MACHINA (2015)
Caleb Smith (Domhnall Gleeson), a programmer at a huge Internet
company, wins a contest that enables him to spend a week at the
private estate of Nathan Bateman (Oscar Isaac), his firm's
brilliant CEO. When he arrives, Caleb learns that he has been
chosen to be the human component in a Turing test to determine
the capabilities and consciousness of Ava (Alicia Vikander), a
beautiful robot. However, it soon becomes evident that Ava is far
more self-aware and deceptive than either man imagined.
FINDING NEMO (2003)
Marlin (voiced by Albert Brooks) is a more-than-slightly paranoid
clown fish who is extremely devoted to his young son, Nemo
(voiced by Alexander Gould), the only survivor after a hungry
shark swallowed up Nemo's mother and her other offspring. It's
not Marlin's nature to explore unfamiliar waters, but when he and
Nemo are accidentally separated near the Great Barrier Reef en
route to Nemo's first day of fish school, Marlin gathers his
courage and sets out to find his son. What Marlin doesn't know,
however, is that while Nemo was looking at a boat passing on the
surface, he was fishnapped by a scuba diver. As Marlin searches
for his son, his journey leads him beyond the Great Barrier Reef
into deeper and darker waters, where he meets Dory (voiced by
Ellen DeGeneres), a forgetful yet optimistic regal blue tang, and
a number of not-so-friendly - and often very hungry - aquatic
creatures. Meanwhile, little Nemo finds himself trapped in an
aquarium in the dentist's office in Sydney, Australia, along with
other underwater captives, including Gill (voiced by Willem
Dafoe), the group's scarred Moorish idol leader. As Nemo works
with his new friends on a plan to escape their tank, Marlin and
Dory swim closer, but they'll need more than just fins to get
into the dentist's office... Like other Pixar films, Finding Nemo
features a story with heart - this time, a father-and-son tale -
and thoroughly charming leads - in this case, Marlin, Nemo, and
Dory. And, of course, there's an army of fascinating supporting
characters, including Bruce (voiced by Barry Humphries), a great
white shark on a no-fish diet; Crush (voiced by Andrew Stanton),
a mellow surfer-dude sea turtle; Peach (voiced by Allison
Janney), a stuck-to-the-aquarium starfish; and Nigel (voiced by
Geoffrey Rush), a bold pelican. However, what truly distinguishes
Finding Nemo from its animated cousins is its stunning depiction
of aquatic life, from the colorful creatures on a coral reef to a
blue whale in the open ocean. By combining the aesthetic of a
National Geographic marine life documentary with clever jokes and
Hitchcock references, Finding Nemo succeeds in its bid to up the
ante for animated movies yet again.
GARDIANS OF THE GALAXY
(2014)
Brash space adventurer Peter Quill (Chris Pratt) finds himself
the quarry of relentless bounty hunters after he steals an orb
coveted by Ronan, a powerful villain. To evade Ronan, Quill is
forced into an uneasy truce with four disparate misfits:
gun-toting Rocket Raccoon, treelike-humanoid Groot, enigmatic
Gamora, and vengeance-driven Drax the Destroyer. But when he
discovers the orb's true power and the cosmic threat it poses,
Quill must rally his ragtag group to save the universe.
GLADIATOR (2000)
Maximus Decimus Meridias (Russell Crowe) is a well-loved and
trusted victorious general in the Roman army, as well as a close
friend to Emperor Marcus Aurelius (Richard Harris). In the winter
of 180 A.D., Marcus Aurelius' twelve-year campaign against the
barbarian tribes in Germania is drawing to an end. The ailing
emperor chooses Maximus to be his heir over his own son, Commodus
(Joaquin Phoenix), so that rule might pass from the Caesars back
to the people and the Senate. Marcus' neglected and power-hungry
son, Commodus, learns of the plan, murders Marcus Aurelius, and
plans to execute Maximus in order to secure his claim to the
throne. Escaping an execution ordered by Commodus, Maximus
hurries back to his home in Spain, too late to save his wife and
son from the same order. Taken into slavery and trained as a
gladiator by Proximo (Oliver Reed), Maximus lives only that he
might someday take his revenge and fulfill the dying wish of his
emperor. The time soon comes when Proximo's troupe is called to
Rome to participate in a marathon of gladiator games held at the
behest of the new emperor, Commodus. Once in Rome, Maximus wastes
no time in making his presence known, and is soon involved in a
plot to overthrow the emperor with his former-love Lucilla
(Connie Nielsen), Commodus' sister, after whom he lusts, and also
the widowed mother of Lucius (Spencer Treat Clark), heir to the
empire after his uncle, and democratic-minded senator, Gracchus
(Derek Jacobi). The movie's plot represents a whirlwind of
faux-Shakespearean machinations of death, betrayal, power plays,
and secret identities making it one of the best of its kind,
thus, resurrecting interest in historical adventures. Needless to
say, Russell Crowe, Joaquin Phoenix, Connie Nielsen and the rest
of the cast have truly outdone themselves with their
performances, which are outstanding to say the least.
GOTHIKA (2003)
A brilliant and respected criminal psychologist and psychiatrist
at the Woodward Penitentiary for Women built in the impressive
Gothic style, Dr. Miranda Grey (Halle Berry) treats the
dangerously insane including a charismatic yet deranged patient,
Chloe Sava (Penelope Cruz), who sees strange things and believes
it is the work of the devil. Miranda is an expert at knowing what
is rational, what is logical, what is sane... One of the other
staff psychiatrists, Pete Graham (Robert Downey Jr.) seems
interested in her, but she has recently wed her boss, Dr. Douglas
Grey (Charles S. Dutton). One night, after taking a swim in the
prison pool, she drives home during a thunderstorm and is forced
to take a detour. The figure of a ghostly girl appears in the
middle of the road and Miranda, in order to avoid driving into
her, veers her car and drives into a tree. Miranda tries to help
the girl, who looks like she has been the victim of something
horrible, but then the girl bursts into flames. The next thing
Miranda knows she wakes up a prisoner in her own institution
where she is told by Pete that she has been accused of brutally
murdering her husband with an axe three days earlier. Miranda has
no memory of the murder she's apparently committed. The only
thing she remembers is a cryptic encounter with a mysterious
young girl. Chloe explains to Miranda that once you are declared
to be officially insane anything you say will automatically be
considered to be the ravings of a lunatic. The doctor's behavior
becomes increasingly erratic. Her claims of innocence are seen by
her friends, colleagues and former patients as the beginnings of
a deep descent into madness. As Miranda struggles to reclaim her
sanity she soon realizes she's become the pawn of a vengeful
devilish spirit. Now she must quickly determine if she is being
led farther from her sanity or closer to the truth. Director
Mathieu Kassovitz and screenwriter Sebastian Gutierrez are
developing a sense of supernatural mystery and schizophrenic
terror that literally extends to the end of the film where the
final scene provides another piece of what is really an
unfinished puzzle.
GROUNDHOG DAY (1993)
Once again, for the forth year in a row, the wise-cracking TV
weatherman Phil Connors (Bill Murray) is forced to cover the
Groundhog Day ceremonies in Punxsutawney, Pennsylvania, an
assignment he truly despises. But this year something truly
bizarre happens after he finishes the report. When he wakes up at
6 AM the next morning, ready to leave, he discovers that it's
February 2 all over again. At first, Phil takes the "repeat" days
to deal in funny, or cruel, ways with others he knows he will
meet. He knows everything will be wiped clean and he can start
fresh the next day. No one but he will remember what happened the
prior day. After a while, he gets depressed at the thought of
being sentenced to an eternity of living the same day, so he
tries to kill himself. He jumps off a building, takes a bath with
a toaster, drives a car off a cliff, gets into the path of a
truck... He succeeds each time, however when 6 AM comes the next
day, he's back in his bed, Groundhog Day again, and his daily
cycle starts again. And eventually he decides to go ahead and try
to make good use of his situation. So he takes on new hobbies. He
becomes expert at ice sculpture, medicine, piano-playing, poetry,
and a number of others. He comes to know all the people in town,
not only their names but also intimate details of their lives.
The movie never hints at how many times he relives the same day.
However, to gain all the proficiencies he did, it must have been
several hundred. Perhaps even in the thousands. As he becomes
more and more charming, he decides to try and seduce his
producer, Rita (Andie MacDowell). Each day he gets a bit farther,
only to show off as the real jerk that he is, then is slapped and
snubbed. But each day, since he is the only one who remembers, he
gets a bit further. However, he is destined to never get the
girl, unless he really changes. In the last 1/4 of the movie, he
has become a truly changed man. He helps people because it is the
right thing to do. He is humble about his successes, and it is
this change that ultimately attracts the woman of his dreams, and
which gets him out of the seemingly endless cycle of replaying
Groundhog Day. And that, in a nutshell, is what the movie is all
about. In a unique way - the replay of a day - it is a commentary
on the need to be true and pure in our intentions to be able to
get out of our rut and make any meaningful contribution to this
world.
HOLLOW MAN (2000)
From Paul Verhoeven, the director of ROBOCOP, BASIC INSTINCT,
TOTAL RECALL, and STARSHIP TROOPERS, comes this extraordinary
suspense-filled thriller, full of special effects and technical
tricks. Dr. Sebastian Caine (Kevin Bacon) is a brilliant, and
stereotypically bad-boy arrogant and egotistical scientist who
heads up a double-secret government team funded by the Pentagon
experimenting with and, finally, succeeding in turning life-forms
invisible through the use of a "quantum phase shift". How do we
know he's a bad boy? Because he (a) wears a leather overcoat, (b)
compares himself to God, (c) drives a sports car, and (d) spies
on his comely next-door neighbor while eating Twinkies. After
experimenting on a menagerie of lab animals, Caine finally cracks
the code that will turn the invisible gorillas, dogs, and so on,
back into their visible forms. He volunteers to be the first
human subject when his test gorilla is brought back successfully.
Caine is indeed rendered invisible, organ by organ, vein by vein.
Turning invisible, however, appears to have side-effects, feeding
on Caine's already fragile psyche. When the invisibility reversal
doesn't go through as planned and Caine is stuck to being
invisible, he starts doing stupid things such as spying on his
female coworkers in the bathroom and molesting his female
neighbor. Soon, Caine is thoroughly psychotic turning into a
killing spree. His colleagues, including his ex-girlfriend Linda
McKay (Elisabeth Sue) and his ex-girlfriend's current lover
Matthew Kensington (Josh Brolin) must stop the invisible man
before it is too late...
HUGO (2011)
Twelve-year-old Hugo Cabret (Asa Butterfield) lives in the walls
of a busy Paris train station in the 1930s, where his survival
depends on secrets and anonymity. But when his world suddenly
interlocks with an eccentric girl and the owner of a small toy
booth in the train station, Hugo's undercover life, and his most
precious secret, are put in jeopardy.
I, ROBOT (2004)
In the year 2035, in Chicago where robots are ubiquitous
shuffling around the city doing menial work and running errands,
homicide detective Del Spooner (Will Smith) is something of a
misfit. He wears retro clothes, he likes to drive his futuristic
car manually, and he bears a grudge against robots due to an
unfortunate incident in his past - even though all robots are
hardwired with a set of three laws preventing them from causing,
or even allowing, humans to come to harm. Called upon to
investigate the mysterious suicide of scientist Dr. Alfred
Lanning (James Cromwell), a pioneer of the robotic world who
invented the Three Laws of Robotics, Spooner deduces that Lanning
didn't kill himself but was, in fact, murdered by a robot.
Lanning worked for the US Robotics headquarters, where he
constructed friendly robots designed to help humans with mundane
tasks. As Spooner digs deeper, his investigations lead him to a
new type of robot, NS-5 that Lanning was working on before his
death, and one of these new robots, Sonny (voiced by Alan Tudyk),
a unique and uniquely temperamental robot with an identity
crisis, an unknown purpose, and a head full of dreams - becomes
the prime suspect in the case. While doing his investigation,
Spooner meets an ally and a romantic interest in robot
psychiatrist Dr. Susan Calvin (Bridget Moynahan), who agrees to
help him even though she believes that a robot cannot possibly
commit a crime. Suddenly, all new robots but Sonny amass across
the city, working on the assumption that they need to control
humanity in order to safeguard its future. As Del comes under
increasing attack from robots that are supposed to protect him,
it becomes clear that Sonny holds the key to the salvation - or
destruction - of humankind. While wrapping science fiction in a
detective plot full of fast-moving chases, die-hard action and a
fearsome arsenal of special effects, the movie has an important
message that technologies built to help mankind could also
provide its downfall.
INCEPTION (2010)
Dom Cobb (Leonardo DiCaprio) is a thief with the rare ability to
enter people's dreams and steal their secrets from their
subconscious. His skill has made him a hot commodity in the world
of corporate espionage but has also cost him everything he loves.
Cobb gets a chance at redemption when he is offered a seemingly
impossible task: Plant an idea in someone's mind. If he succeeds,
it will be the perfect crime, but a dangerous enemy anticipates
Cobb's every move.
INTERSTELLAR (2014)
In Earth's future, a global crop blight and second Dust Bowl are
slowly rendering the planet uninhabitable. Professor Brand
(Michael Caine), a brilliant NASA physicist, is working on plans
to save mankind by transporting Earth's population to a new home
via a wormhole. But first, Brand must send former NASA pilot
Cooper (Matthew McConaughey) and a team of researchers through
the wormhole and across the galaxy to find out which of three
planets could be mankind's new home.
JOURNEY TO THE CENTER OF THE EARTH
(2008)
This 2008 movie update of Jules Verne's classic sci-fi / fantasy
novel uses the 1864 tale as a template, with its hero, scientist
Trevor Anderson (Brendan Fraser), referring to his missing
brother's notes on the novel. His nephew Sean (Josh Hutcherson)
in tow, Anderson travels to Iceland to investigate his sibling's
theories, enlisting a fellow scientist's daughter, Hannah (Anita
Briem), as a guide. Soon the trio's Icelandic mountain trek
descends into a cave and, then deeper still to, naturally, the
center of the earth, where dinosaurs and other strange
prehistoric creatures still dwell. After many dangerous
encounters with the native flora and fauna, Trevor, Sean, and
Hannah must find a way back to the surface or face being stranded
miles below the earth's crust. Directed by Eric Brevig, a veteran
Hollywood visual effects supervisor (MEN IN BLACK, THE DAY AFTER
TOMORROW), JOURNEY TO THE CENTER OF THE EARTH clearly delights in
unveiling eye-catching CGI creatures and landscapes. Presented in
some theaters in 3D format, the film features lunging beasts and
vertigo-inducing visions, which are effective even in 2D, while
Fraser, working in the same amiable vein as the MUMMY movies,
provides a human focus amidst the special effects. For fans of
the ever-likable Fraser and/or the JOURNEY story, there is plenty
to enjoy in this effects-heavy adventure film.
JUMANJI (1995)
What if a board game actually had the power to make fantasy turn
into reality? JUMANJI tries to answer that question as four
people, in different times no less, must carry out a game of
Jumanji, a game about the perils and dangers of the African
jungle, a magical game that, when played, has real-life
consequences. These consequences include slithering vines,
mischievous monkeys, stampeding elephants and rhinos, giant
spiders, monsoons, and human hunters. Young Alan Parrish (Adam
Hann-Byrd) living in Brantford, New Hampshire, discovered the
ornate Jumanji board in 1969, when he was just twelve. When he
sits down to play it for the first time with his reluctant friend
Sarah Whittle (Laura Bell-Bundy), very strange things immediately
begin to happen. After Alan rolls a certain number on the dice,
the game shows a quote saying "In the jungle you must wait, till
the dice roll 5 or 8", and he is literally sucked into the jungle
realm of Jumanji, disappearing before Sarah's startled eyes.
Because Sarah is too frightened to finish the game, Alan remains
trapped in the rainforests of Jumanji for 26 years until two new
children, orphan siblings Judy (Kirsten Dunst) and Peter (Bradley
Pierce) Shepherd, sit down to play the game in the attic of
Alan's childhood home. When the children roll the designated
number that will free Alan, he pops back into a 38 year-old
survivor (Robin Williams) of the all-too-real and all-too-deadly
world of Jumanji. If Alan, Judy and Peter can find the now adult
Sarah (Bonnie Hunt), they have a chance to finish the game - or
risk that their house, neighborhood and hometown be taken over by
the elephants, crocodiles, spiders and other denizens of the
fascinating, seemingly unstoppable force called Jumanji...
forever. The story is essentially about how Alan Parrish and his
new compatriots finally manage to win the game in the nick of
time. JUMANJI is just one of those pictures that will make you
smile, maybe shed a tear here or there, laugh, and say, "How did
they do that?"
K-PAX (2001)
After a mugging incident at New York's Grand Central Station,
Prot (Kevin Spacey), a mysterious man who politely tells the
police that the light on their planet is too bright for him -
much brighter than back home on the distant planet K-PAX, is
turned over to the Psychiatric Institute of Manhattan and, one
month later, becomes the patient of Dr. Mark Powell (Jeff
Bridges), an eminently logical and pragmatic psychiatrist. Powell
has treated plenty of delusionals in his career, and figures it's
only a matter of time before he cracks Prot's veneer and gets him
to talk about what's really going on. Prot says he's on a
fact-finding mission, and patiently explains how his experiences
on earth contrast with life on K-PAX. He finds much to like here,
but says he will go home before the summer ends. As the days
before his announced departure race by, all the patients on the
ward vie to go with him. His descriptions of life on a planet
1,000 light years away awaken a sense of possibility among them.
The patients may feel good, but not Dr. Powell. He is haunted by
dark fears for Prot, and is determined to use every tool at his
disposal to discover this man's truth before it's too late. But
as medication and other tools fail him, Powell begins to doubt
things he has accepted as true his entire life. It gets worse
when the hospital's doctors find that Prot possesses the baffling
ability to see ultraviolet light and a group of skeptical
astronomers are confounded by the things Prot seems to know.
Powell gets more involved with his patient, who seems to have a
remarkable calming effect on the metal health of the other
residents of his ward. Powell starts to notice that Prot really
helps his patience in ways he himself never could. At first
convinced that Prot is a delusional who can be treated, Powell
begins to wonder if Prot could somehow be the real thing. He
tries to fight it, but the sense that he must at least admit the
possibility grows every day. As the date of Prot's "departure"
grows nearer, Powell becomes increasingly concerned that a
psychiatric breakthrough must occur by then. And as he continues
his efforts to penetrate Prot's shell, he gradually sees how
impenetrable he has allowed his own veneer to become - and how
little time any man might have to discover who he really is. More
than a science-fiction tale, K-PAX is a reflection on the way we
live our lives, the things we think we know, and the connection
of one human being to another.
KUNG FU PANDA (2008)
A clumsy panda bear becomes an unlikely kung fu hero when a
treacherous enemy spreads chaos throughout the countryside in
this animated martial arts adventure featuring the voices of Jack
Black, Dustin Hoffman, Angelina Jolie, and Jackie Chan. On the
surface, Po (voiced by Jack Black) may look like just another
portly panda bear, but beneath his fur he bears the mark of the
chosen one. By day, Po works faithfully in his family's noodle
shop, but by night he dreams of becoming a true master of the
martial arts. Now an ancient prophecy has come to pass, and Po
realizes that he is the only one who can save his people from
certain destruction. With time running short and malevolent snow
leopard Tai Lung (voiced by Ian McShane) closing in, Furious Five
legends Tigress (voiced by Angelina Jolie), Crane (voiced by
David Cross), Mantis (voiced by Seth Rogen), Viper (voiced by
Lucy Liu), Monkey (voiced by Jackie Chan), and their wise sensei,
Master Shifu (voiced by Dustin Hoffman), all draw on their vast
knowledge of fighting skills in order to transform a lumbering
panda bear into a lethal fighting machine. Now, if the noble Po
can master the martial arts and somehow transform his greatest
weaknesses into his greatest strengths, he will fulfill his
destiny as the hero who saved his people during their darkest
hour.
LIAR LIAR (1997)
Fletcher Reede (Jim Carrey) is a smooth-talking lawyer who will
do anything, including telling lies, to win court cases. On the
night of his son's fifth birthday, he is busy sleeping with his
boss instead of being at the party as he has promised. As his son
Max (Justin Cooper) blows out the candles on his cake, he makes a
wish that for only one day, his dad would be able to tell the
truth, the whole truth and nothing but the truth. The wish
miraculously comes true... Fletcher is handling a divorce case
where the prenuptial agreement states that as a result of the
wife's infidelity, she is entitled to nothing. He was planning to
manipulate the truth in order to win but the inability to lie
renders this impossible. Fletcher's biggest asset has suddenly
become his biggest liability. At the same time, Fletcher's
ex-wife, Audrey (Maura Tierney), is planning to move to the other
side of the US with her boyfriend, taking Max with her. In court,
Fletcher realizes that his client was a minor when she got
married, making the prenup void so she wins half the marital
assets. He speeds off to the airport to catch his son, but Max is
already on the plane which is on the runway preparing to take
off. Hijacking a set of mobile stairs, he keeps the plane on the
ground breaking both legs and being thrown in jail. A year later,
the guest list at Max's 6th birthday party is select - just his
parents. He blows out the candles, plunging the room into
darkness. When Max turns the light on, Fletcher and Audrey are
kissing. The film ends as it pans out from the house where
Fletcher is chasing Max trying to tickle him.
LIFE OF PI (2012)
After deciding to sell their zoo in India and move to Canada,
Santosh and Gita Patel board a freighter with their sons and a
few remaining animals. Tragedy strikes when a terrible storm
sinks the ship, leaving the Patels' teenage son, Pi (Suraj
Sharma), as the only human survivor. However, Pi is not alone; a
fearsome Bengal tiger has also found refuge aboard the lifeboat.
As days turn into weeks and weeks drag into months, Pi and the
tiger must learn to trust each other if both are to survive.
MAID IN MANHATTAN (2002)
Can a wealthy Republican politician find happiness with a
chambermaid from the Bronx? One man is about to find out, though
he hardly realizes it at first, in this romantic comedy from
director Wayne Wang, who updates the familiar Cinderella story in
this charming romantic comedy. Marisa Ventura (Jennifer Lopez) is
a beautiful young woman and a single mother born and bred in the
boroughs of New York City, who is getting some help from her
mother Veronica (Priscilla Lopez). She divides her time between
her gifted but under-confident son Ty (Tyler Garcia Posey) and
her housekeeping duties at the exclusive Beresford Hotel in
Manhattan where the guests are demanding and perfection is
expected. The staff is all very close and like a family. They
even push Marisa into trying out for the available assistant
manager job, something that seemed unattainable by a maid. One
day, while cleaning the room of noted socialite Caroline Lane
(Natasha Richardson), another maid spies a beautiful Dolce $5,000
gown and dares Marisa to try it on; against her better judgment,
she does, and while all dolled up, she bumps into Christopher
Marshall (Ralph Fiennes), a boyish, affluent and handsome heir to
a political dynasty, a well-known N.Y. assemblyman and a
senatorial candidate. Immediately charmed, Chris asks Marisa to
join him for a walk in Central Park, assuming she's the
blue-blooded Caroline. Marisa manages to join Chris for the
afternoon, with Ty in tow, and Chris finds himself quite taken
with Marisa's beauty and down-to-earth personality, as well as
Ty's precocious interest in politics. Chris later calls
Caroline's room to set up a lunch date, but soon discovers the
stuffy Ms. Lane is not the woman he met before. Marisa is also
attracted to Chris, but while her friends encourage her to pursue
a romance, Veronica believes her daughter is asking for trouble
by trying to win a man so far out of her social strata. Chris
makes numerous attempts to locate her, despite the comedic fact
she is often right under his nose. When Marisa's true identity is
revealed, the two find that they are worlds apart, even though
the distance separating them is just a subway ride between
Manhattan and the Bronx. While the movie is always lighthearted
and fun, it does not shy away from foregrounding race and class
issues, devoting much screen time to Marissa's coworkers and
their struggles to survive.
MEMOIRS OF A GEISHA (2005)
Arthur Golden's blockbuster bestseller, MEMOIRS OF A GEISHA, has
been brilliantly brought to the big screen by Oscar-nominated
director Rob Marshall (CHICAGO). The film opens in a remote
Japanese fishing village in 1929, where two sisters, Chiyo and
Satsu, are sold by their troubled father to people who place
Chiyo in a classy geisha house known as an okiya in Gion and
Satsu in a much more vulgar and dangerous district. Chiyo becomes
a maid to Hatsumomo, a cold, controlling, and calculating geisha
who is instantly jealous of Chiyo's unusual, beautiful eyes and
childish innocence. Chiyo is befriended by Pumpkin, another maid
at the okiya, but the two are soon driven apart. Chiyo is shown
compassion by the Chairman and another, more successful geisha,
Mameha, who takes her under her wing as her "little sister,"
furthering the battle between Chiyo, now called Sayuri, and
Hatsumomo. As Sayuri is trained in the art of being a geisha,
learning how to walk, talk, dance, and serve (up to a point) in
order to please and honor her distinguished male clients, World
War II looms on the horizon, threatening to upend Japan and its
old ways. MEMOIRS OF A GEISHA is a lush, sweeping historical and
romantic epic, featuring gorgeous period costumes, primarily the
exquisite kimono worn by the geisha. Ziyi Zhang (HOUSE OF FLYING
DAGGERS) is outstanding as Sayuri, who stands up to the
oppressive Hatsumomo (the effervescent Gong Li), while Michelle
Yeoh, who starred with Zhang in CROUCHING TIGER, HIDDEN DRAGON,
is splendid as the wise and elegant Mameha. Ken Watanabe (THE
LAST SAMURAI), Koji Yakusho (SHALL WE DANCE?), and Cary-Hiroyuki
Tagawa (ELEKTRA) are among the men who take an interest in
Sayuri, who is continually faced with difficult choices that will
shape her destiny, just as Japan's destiny is changing shape with
the coming of the West.
MINDHUNTERS (2004)
Mindhunters is slang for the real life FBI Investigative Support
Unit (ISU). The ISU is a FBI special force unit that has assisted
state and local police in cracking some of the United States'
most serious and celebrated serial murder cases. Mindhunters
specialize in understanding and profiling the chemistry and
mechanical workings of the brain in these serial criminals.
Inspired by Agatha Christie's Ten Little Niggers (published in
America in 1940 first as And Then There Were None, later as Ten
Little Indians), the story crescendos in suspense as a group of
brand new profilers realize that a terrible evil has entered
their circle - and there may be no way out alive. Jake Harris
(Val Kilmer), head of the Practical Applications Unit, which
administers practical problem exercises to new FBI agent trainees
and provides safety and survival training to law enforcement
officers and FBI agents, sends a group of seven new FBI agent
trainees, future psychological profilers, to Crime Town on
Oniega, a small isolated island located 50 miles off the coast of
North Carolina in the ultimate test of their crime-solving savvy.
The island has been used for years to practice warfare. The group
of FBI trainees includes J. D. Reston (Christian Slater), Sara
Moore (Kathryn Morris), Bobby Whitman (Eion Bailey), Vince
Sherman (Clifton Collins Jr.), Lucas Harper (Jonny Lee Miller),
Rafe Perry (Will Kemp) and Nicole Willis (Patricia Velasquez).
Gabe Jensen (James Todd Smith aka LL Cool J), a seasoned
Philadelphia homicide detective, joins the group right before
their departure to observe, not to participate. When a simulated
FBI training exercise turns shockingly real, with one of the
agents meeting an unexpected demise from a booby trap, the
profilers realize this is more than a final exam - it's a battle
for their lives. Hiding within a group is a psychopathic serial
killer. Completely isolated, the recruits have no choice but to
use their knowledge and skills to both solve the heinous mystery
of who the culprit, this ruthless predator, may be and stay
alive. But how can they trust one another when each of them is
compelled by his or her secret past to probe the criminal mind,
when each possesses the skills, the motives and the means to be
the murderer? No one is above suspicion, or the perils of
overwhelming fear, as they use everything in their power to
uncover the killer's identity and end the relentless hunt before,
one by one, they all fall prey to the killer's ingenious
plan.
MINORITY REPORT (2002)
In the year 2054, when dreams can be recreated through computers,
computer monitors and displays are transformed into holograms,
and identification is done through eye-scanning, the so-called
"National Precrime Initiative" is working around the U.S. with
its headquarters in Washington, D.C. and its director Lamar
Burgess (Max von Sydow). Its purpose is to use the precognitive
potential of three genetically altered humans to prevent murders.
When the 3 precogs, who only work together, floating connected in
a tank of fluid, have a vision, the names of the victim and the
perpetrator as well as video imagery of the crime and the exact
time it will happen, are given out to the special cops who then
try to prevent the crime from happening. But there is a political
dilemma: If someone is arrested before he commits a murder, can
the person be accused of the murder, which - because of the
arrest - never took place? The project of pre-crime, at the time
being in a state of trial run, is going to be voted about in the
near future. If people accept it, the crime rate is going to drop
drastically, but it never will be known if there might not be too
many people imprisoned, some or even all of them innocent. Since
John Anderton (Tom Cruise) lost his young son to a crime six
years ago and his wife left him short afterwards, he has combined
taking up drugs to forget about his loss with his work as chief
detective of the precog unit at the Washington D.C. Precrime
Division. One day, his own name arrives in the "perpetrator"
chute, and the precogs predict that he will kill a man he never
knew in less than 36 hours. John takes off, his trust in the
system diminishing rapidly. His own colleagues and the federal
detective Denny Witwer (Colin Farrell) after him, John follows a
very small trace that might hold the key to his innocence, a
strange unsolved yet predicted murder and a so-called "minority
report", a documentation of one of the rare events in which a
female precog called Agatha (Samantha Morton) sees something
different than the other two...
MONSTERS UNIVERSITY (2013)
Ever since he was a kid monster, Mike Wazowski (Billy Crystal)
has dreamed of becoming a Scarer. To make his dream a reality, he
enrolls at Monsters University. During his first semester, he
meets Sulley (John Goodman), a natural-born Scarer. Sulley and
Mike engage in a fierce rivalry that ultimately gets them both
kicked out of MU's elite Scare Program. To make things right,
Mike and Sulley - along with a bunch of misfit monsters - will
have to learn to work together.
MR. & MRS. SMITH (2005)
Named after a 1941 Alfred Hitchcock film, MR. & MRS. SMITH is
really its own ball of flaming wax, with enough sizzling
chemistry between stars Angelina Jolie and Brad Pitt to blow up a
small building. He shows he is equally adept in comedy and
action, and she manages to set new screen standards of bad-ass
sexiness. It's impossible to dislike this pair, or a movie that
makes being married seem like such insane fun. Pitt and Jolie
play extremely skilled professional assassins who have managed to
stay married for five years without ever realizing each other's
profession because they work for rival agencies and the work is
top secret. When their paths eventually cross on a high-level
hit, one of the most lethal battles of the sexes in the history
of cinema is officially on. Thanks to a genuinely witty script,
the issue isn't who will win, but whether the couple will realize
they are meant for each other before it's too late. Director Doug
Liman was obviously the right choice for the material, having
proved his ability to fuse engaging romance with knuckle-biting
action in 2002's THE BOURNE IDENTITY. The comedy is sophisticated
and witty, the action is visceral and intense, and there is
plenty of satisfying eye candy. Another plus is Vince Vaughn as a
fast-talking fellow hit man who lives with his mother. The
cinematography is by Bozan Bajelli (the genius behind Abel
Ferrara's best mid-1980s work) who imbues each environment,
whether it's the Smith's house, or the urban streets - with its
own evocative color scheme and feel.
NIGHT AT THE MUSEUM (2006)
Ben Stiller plays Larry Daley, a down-on-his-luck divorced father
in this family-friendly tale directed by Shawn Levy (JUST
MARRIED, CHEAPER BY THE DOZEN). Larry is a kind-hearted dreamer
who always knew that he was destined for greatness, he just never
quite knew how. He has a lot of ideas and dreams, but none of
them has come to fruition. In an attempt to prove his stability
to his ex-wife (Kim Raver) and his son, Nicky (Jake Cherry),
Larry accepts a job as a night guard at New York's Museum of
Natural History. But the elderly night guards who hire him
(played by entertainment legends Mickey Rooney, Dick Van Dyke,
and Bill Cobbs) fail to mention one crucial detail: when the
museum is closed, everything inside comes to life. From Attila
the Hun to miniature Roman soldiers, African mammals to
Neanderthal men, and Egyptian mummies to dinosaur skeletons, the
museum teems with lively activity. Now it's Larry's job to
control the mayhem and show his son that he is, indeed, a great
man after all. There might be a moral to this story, which is
based on the book of the same name by Milan Trenc, but the
screenplay and action remain light and breezy. Stiller is perfect
as Larry, particularly in scenes with a sneaky monkey who
repeatedly gets the better of him. Brief appearances by Anne
Meara (Stiller's real-life mother) and Paul Rudd add to the fun.
Carla Gugino plays a museum docent, Ricky Gervais portrays the
incomprehensible museum director, and Robin Williams moonlights
as a wax figure of Teddy Roosevelt that comes to life. Owen
Wilson and Steve Coogan are particularly amusing as a bickering
miniature cowboy and a Roman soldier.
PAYCHECK (2003)
Adapted from a mind-bending sci-fi thriller by Philip K. Dick,
the slick and riveting PAYCHECK is directed by John Woo (THE
KILLER, MISSION IMPOSSIBLE II)- the king of artful gunfighting
flicks- who shows off his agility here with flat-out,
white-knuckle cinematic entertainment. Michael Jennings (Ben
Affleck) is a high-paid engineer who works on hush-hush computer
inventions and technology for shady companies. Later, his memory
is wiped clean, so he has no recollection of his work. His
so-called friend Rethrick (Aaron Eckhardt, the master of smarmy
mean-spiritedness, as in IN THE COMPANY OF MEN) offers him enough
money to retire by working on a project at Rethrick's company,
Allcom. When Jennings emerges three years later, sans memory, he
tries to collect his paycheck. At the bank, he's handed a manila
envelope filled with cryptic items he doesn't recognize, and told
he voluntarily forfeited his entire paycheck. He also has a
stunning girlfriend named Dr. Rachel Porter (Uma Thurman) who is
likewise ensnared in the conspiracy. Jennings must somehow piece
together the clues he left for himself, and find out why everyone
is out to kill him. As usual, Dick's story is the basis for a
killer script that travels from point A to Z with gripping
immediacy. The clues left for Jennings are amusing writerly
devices, intricately pieced together. Woo clearly enjoyed
choreographing the wild gunfighting and chase sequences (slo-mo
bullets aplenty), sending Affleck and Thurman on the run with a
BMW motorcycle.
PLANET OF THE APES (2001)
In remaking this classic sci-fi horror film, director Tim Burton
takes on a whopping challenge and succeeds. Astronaut Leo
Davidson (Mark Wahlberg) is part of a space station crew that, in
the year 2029, is conducting experiments in training genetically
engineered chimps to perform complex away missions. When Leo's
chimp disappears into a worm hole, Leo unadvisedly goes after
him, ending up in a parallel world in which the monkeys are the
keepers and humans are traded and caged like animals. It's a
horrifying place, and the whole atmosphere, colored by Burton's
direction and Rick Baker's incredible special effects makeup, is
charged with terror. Leo becomes a heroic figure in the eyes of
his defeated human brethren, and he puts his trust - and his hope
for escape - in Ari (Helena Bonham Carter), a forward-thinking
ape who believes in human rights. But Leo has formidable
opponents in Thade (Tim Roth) and Attar (Michael Clark Duncan),
two power-hungry, testosterone-charged apes who wish to rid the
planet of humans altogether. This excellent rendition of PLANET
OF THE APES is more than just a remake: it includes intense
physicality on the part of the actors, complex mythology lacing
the story, chilling philosophical realizations, and an amazing
cameo by original APES star Charlton Heston. The combination of
those complex parts makes for a riveting viewing experience.
RATATOUILLE (2007)
With astounding animation, inspirational messages, and endearing
characters, Pixar Animation Studios (THE INCREDIBLES, CARS) and
Walt Disney Pictures have whipped up something special with
RATATOUILLE. A scrawny rat named Remy (voiced by Patton Oswalt)
finds his dreams of culinary superstardom stirring up sizable
controversy in the kitchen of a fine French restaurant in
director Brad Bird's madcap computer-animated comedy. It's hard
being a rat with culinary aspirations, but Remy is convinced he
has what it takes to break the stereotypes and follow in the
footsteps of star chef Auguste Gusteau (voiced by Brad Garrett).
As fate would have it, Remy is currently situated in the sewers
directly beneath Gusteau's elegant restaurant. Soon Remy teams up
with a young chef with little talent named Linguini (voiced by
Lou Romano). Together they are able to create some fabulous
dishes, but they live in fear that someone will discover their
secret and object strenuously to a rat being in a kitchen. When
Remy's passion for cooking turns the haughty world of French
cuisine upside down, the rat who would be king of the kitchen
learns important lessons about life, friends, and family while
questioning whether he should pursue his culinary calling or
simply go back underground and return to his life as a sewer rat.
The positioning of a city-dwelling rodent with a distinct palate
and the aptitude to concoct mouthwatering dishes in one of
Paris's finest eateries is the winning ingredient in
RATATOUILLE's inspirational presentation. And Remy's brave
conviction to break away from the pack and risk his life for what
he loves and believes in gives the film a positive and
heartwarming message for all ages.
SEVEN POUNDS (2008)
From the director of THE PURSUIT OF HAPPINESS and starring
two-time Academy Award nominee Will Smith comes the stirring and
emotionally suspenseful tale of a man with a haunting secret who
sets out to redeem himself by drastically changing the lives of
seven total strangers. Once his plan is set in motion, nothing
can alter it. Or so he thinks. But what Ben Thomas never expects
is that he will fall in love with one of the strangers - and that
it is she who will start to change him. A gripping mystery and
surprising love story, SEVEN POUNDS asks provocative questions
about life and death, regret and forgiveness, strangers and
friendship, love and redemption - and pursues the connections
that tie human fates together in surprising ways. It begins with
a list of seven names: Ben Thomas, Holly Apelgren, Connie Tepos,
George Ristuccia, Nicholas Adams, Ezra Turner and Emily Posa. The
only thing they share in common are that each has reached a
turning point and is in dire need of help, from financial to
spiritual to medical - and unbeknownst to them, Ben has carefully
chosen each to be part of his plan of redemption. But it is Emily
Posa (Rosario Dawson), a lively cardiac patient, who throws a
wrench into the works as she does the one thing Ben thought
impossible - grows close to him - and turns his view of the world
and what is possible inside out.
SEVEN YEARS IN TIBET (1997)
Epic pictures, well-drawn characters, a colorful production
design, and a moving story about war, peace, love and hate; these
are the elements of Seven Years In Tibet, a grandiose expedition
into the realms of the Himalayas, the story of a man whose life
and self have been completely changed by the seven years he
spends in one of the world's most beautiful, politically unstable
regions. Heinrich Harrer (Brad Pitt) is one of the most famous
alpine explorers during the time of the Third Reich. In 1939, the
celebrated Austrian is forced to be a hero for the Nazi
propaganda and makes his way to the Himalayas as part of an
expedition to climb Mt. Nanga Parbat (8,131.3 m) in northwestern
Kashmir, leaving behind his pregnant wife. While he and his
expedition attempt the mountain, World War II breaks out, and
Harrer and his teammates are captured by the British, interred in
a prisoner-of-war camp in Northern India. After four years and a
huge number of unsuccessful escape attempts, he and his
companions manage to trick the guards and escape to freedom.
Hunted as they are by prison guards, only two of them survive,
Harrer and his former expedition leader Peter Aufschnaiter (David
Thewlis). They are as opposite as they could possibly be, yet the
two of them manage to make it to the border of Tibet by foot,
where they are safe from the British authorities. Sneaking into
the forbidden city of Lhasa - the capital and the commercial and
spiritual center of Tibet situated about 3,660 m above sea level
where no foreigners are allowed, and home of the Dalai Lama -
they find themselves the first non-Tibetans tolerated within the
city walls. While Peter befriends and marries a local tailor Pema
Lhaki (Lhakpa Tsamchoe), Harrer is lonely. He thinks constantly
about the son he has never met, and aches to be a father. In
desperate need for a friend, the young Dalai Lama (Jamyang
Jamtsho Wangchuk), fills this gap in Harrer's life. While the
curious and thirsty for knowledge Dalai Lama learns about the
outside world and matters far from his religious education,
Harrer learns what it means to become a leader to his people. For
Harrer, this friendship becomes a process of self-discovery and
enlightenment, in which he learns and adapts the peaceful and
balanced 3,000-year-old Tibetan culture. Starting out as a
stubborn, arrogant, self-centered egomaniac NAZI, Harrer becomes
a selfless humanitarian by the time he leaves Tibet, seven years
later.
SHREK (2001)
Set in a strange, colorful land populated by fairy tale
characters, Shrek is a hilarious comedy that will win over
audiences of children and adults alike. Shrek (voiced by Mike
Myers) is a lonely, green, smelly ogre who hides his feelings
behind an aggressive demeanor. He lives in isolation in his own
cozy little swamp and is not receptive to visitors, and fends off
the occasional party of torch-wielding villagers with ease. Lord
Farquaad (voiced by John Lithgow) is a vertically-challenged,
power-hungry ruler who wishes to marry a princess so he can
become a prince. Princess Fiona (voiced by Cameron Diaz) is held
in a castle by a fire-breathing dragon waiting for her prince to
save her. When Lord Farquaad turns Shrek's swamp into a
relocation camp for dozens of banished fairy-tale characters
(including the Three Blind Mice, Snow White and the Seven Dwarfs,
Cinderella, Robin Hood, the Three Little Pigs and the Big Bad
Wolf, the Three Bears) Shrek's quiet, introverted life is ruined.
Joined by a talkative donkey named Donkey (voiced by Eddie
Murphy) who brays some of the funniest (and some of the dumbest)
lines in the film, Shrek makes his way to Farquaad's faraway
realm called Duloc, where the midget lord makes Shrek an offer:
He will rid Shrek's land of the unwanted visitors if Shrek goes
on a simple quest to free Princess Fiona from her remote,
dragon-guarded castle and convince her to marry Farquaad. On
their quest, Shrek and Donkey run into a number of bizarre
situations, and Shrek finds himself realizing that he isn't quite
the fearsome monster he has always made himself out to be. Shrek
accomplishes this task, but also falls in love with the princess.
Princess Fiona shares the same feelings, but has a secret of her
own. Miscommunications play upon their insecurities, which drives
Princess Fiona into the arms of Lord Farquaad... Reinventing the
traditional fairy tale adventure, Shrek features gorgeous
computer animation, a unique sense of humor, and compelling
characters - especially Eddie Murphy's lovable Donkey, Shrek's
faithful steed and friend.
SHREK 2 (2004)
In this meet-the-parents sequel to the romantic fairy tale in
which two ogres fall in love, Shrek 2 brings the loveable green
menace (voiced by Mike Meyers) back to the big screen for a
second round of mischief. This time around, in addition to the
voices of Cameron Diaz (as Shrek's sweetheart Fiona) and Eddie
Murphy (as their companion Donkey), Julie Andrews and John Cleese
chime in as Fiona's parents, Queen Lillian and King Harold.
Surprising newcomer Puss in Boots (Antonio Banderas) - a sword
fighting cat and ogre slayer - joins the crew. Last but certainly
not least, the conniving duo of vain Prince Charming (Rupert
Everett) and his power-hungry mom, the Fairy Godmother (Jennifer
Saunders), spice up the action. The film picks up right where the
first movie ended... After returning from their honeymoon and
watching "home movies", Shrek and Fiona learn that Fiona's
parents have heard their daughter has married her true love and
wish to meet the husband and invite him to their kingdom, called
Far Far Away, a Disneyfied medieval version of Hollywood. When
Fiona insists that her new husband Shrek visit her parents, the
newlyweds travel to Far Far Away where everything goes wrong. The
King and Queen are outraged to see their daughter, now an ogress,
married to a 350-kg ugly ogre with horrible hygiene instead of
Prince Charming as it has been prophesied. While Fiona tries to
calm them, Shrek sets out to find a solution. He finds it, in the
form of a Happily Ever After potion, which only complicates
matters, drawing all parties into a confused exchange of magic
and spells, all for the sake of true love. With shimmering
animation giving Shrek 2 near-3-D visuals, the witty scripting
and eclectic pop music soundtrack keep the film hopping along
with an upbeat pace. "Holding Out for a Hero" performed by Frou
Frou, and "Livin' La Vida Loca" by Eddie Murphy and Antonio
Banderas are the most raucous of the film's many great songs,
though more subtle numbers such as "Accidentally in Love"
performed by Counting Crows and "Little Drop of Poison" by Tom
Waits certainly enrich some key scenes of this enjoyable family
film.
SHREK THE THIRD (2007)
Shrek and Fiona's (voiced by Mike Myers and Cameron Diaz,
respectively) fairy-tale wedding has gone off without a hitch,
yet just as the beaming newlyweds prepare to enjoy their blissful
"happily ever after," the sudden death of King Harold (voiced by
John Cleese) finds everyone's favorite ornery ogre being
reluctantly fitted for the royal crown. Troubled to learn that
not only will he be compelled to rule Far Far Away, but that he
and Fiona are also expecting a little ogre, Shrek determines to
track down his new bride's rebellious cousin, Artie (voiced by
Justin Timberlake) - the one true heir to the throne - in order
to focus on fatherhood without the added distraction of having to
preside over the kingdom. As Shrek sets out with faithful
companions Donkey (voiced by Eddie Murphy) and Puss in Boots
(voiced by Antonio Banderas) to locate the medieval high-school
slacker and bring him back to become the reigning sovereign of
Far Far Away, handsome snake Prince Charming (voiced by Rupert
Everett) slithers back to the castle in the company of the
dreaded Captain Hook (voiced by Ian McShane) to stage a
diabolically timed coup and assume control of the throne. Now, as
Shrek, Donkey, and Puss in Boots do their best to wrangle up the
feisty Artie, Fiona must enlist the aid of fighting princesses
Snow White (voiced by Amy Poehler), Sleeping Beauty (voiced by
Cheri Oteri), Rapunzel (voiced by Maya Rudolph), and Cinderella
(voiced by Amy Sedaris) to barricade the castle and fend off
Prince Charming's invading army of fairy-tale villains until her
beloved husband can return with the cavalry to save the day.
SKYFALL (2012)
When James Bond's (Daniel Craig) latest assignment goes terribly
wrong, it leads to a calamitous turn of events: undercover agents
around the world are exposed, and MI6 is attacked, forcing M
(Judi Dench) to relocate the agency. With MI6 now compromised
inside and out, M turns to the one man she can trust: Bond. Aided
only by a field agent (Naomie Harris), Bond takes to the shadows
and follows a trail to Silva (Javier Bardem), a man from M's past
who wants to settle an old score.
SPECTRE (2015)
A cryptic message from the past leads James Bond (Daniel Craig)
to Mexico City and Rome, where he meets the beautiful widow
(Monica Bellucci) of an infamous criminal. After infiltrating a
secret meeting, 007 uncovers the existence of the sinister
organization Spectre. Needing the help of the daughter of an old
nemesis, he embarks on a mission to find her. As Bond ventures
toward the heart of Spectre, he discovers a chilling connection
between himself and the enemy (Christoph Waltz) he seeks.
THE 13TH FLOOR (1999)
In the movie, computer scientists Hannon Fuller (Armin
Mueller-Stahl) and Douglas Hall (Craig Bierko) have created a
virtual reality simulation of 1937 Los Angeles complete with
sentient agents that act out the people from that time. Fuller is
able to "jack in" to that world and interact with the agents just
as he would in his world. Hannon has discovered something
extremely important. He is about to tell the discovery to his
colleague Douglas Hall but knowing that someone is after him, the
old man decides to leave a letter in his computer-generated
parallel world. Fuller is murdered in our "real" world the same
night, and Hall becomes the chief murder suspect. Douglas
discovers a bloody shirt in his bathroom and he cannot recall
what he was doing the night Fuller was murdered. He logs into the
system in order to investigate the mysterious circumstances and
to find the letter that he believes would explain everything. To
make matters worse, one of the sentient agents in the simulation,
a bartender named Whitney (Vincent D'Onofrio), discovers that he
is not "real" and proceeds to find a way to "escape" to the real
world... Moreover, Hall cannot explain a sudden appearance of
Jane Fuller (Gretchen Mol), who claims to be Hannon Fuller's
daughter. He is even more confused when he meets Jane at a
supermarket where she works as a cashier under the name of
Natasha Molinaro... The movie is filled with atmosphere that
leaves you wondering what is real and what is not. You will find
yourself trying to guess the plot twists, but with little success
as they will unfold. Although resembling The Matrix, this
excellent movie is richer in substance than the latter. It leaves
you with a thought provoking afterthought about our own
existence.
THE 6TH DAY (2000)
Imagine a world free of incurable diseases... a world where
animals are no longer threatened by extinction, world hunger has
been eradicated, supermarkets are filled with
genetically-engineered food and medical laboratories are stocked
with cloned human organs waiting to be transplanted... a world so
advanced that the family pet can be cloned and even tailored to
match the decor of your home, or a virtual girlfriend can be
designed to your exact specifications... a remarkable world in
which the one thing that has eluded man since the beginning of
time is finally within his reach - immortality. However, in this
wonderful world of massive cloning, a law called the 6th Day Law
prohibits cloning of human beings and if a human is cloned, the
clone must be destroyed. In this not-too-distant future, Adam
Gibson (Arnold Schwarzenegger) works as a helicopter pilot for
Double X Charter with his partner and friend Hank Morgan (Michael
Rapaport). The two men shuttle show boarders and other extreme
sport-goers to exotic locales. On his birthday Adam comes home to
discover an identical version of himself - an illegal human clone
- celebrating with his family and friends. The next thing he
knows, a squad of "clone-friendly" killers is after him in order
to get rid of the "evidence" of their cloning activities, funded
by Michael Drucker (Tony Goldwyn), a powerful businessman and the
head of the evil genetics corporation who hopes to make billions
from human cloning in collaboration with his medical expert, Dr.
Griffin Weir (Robert Duvall). Of course, nobody believes Adam
when he says there's an impostor living his life, and soon he has
to take matters into his own hands while being chased by bad guys
who won't stay dead thanks to the magic of cloning and
syncorders, instant memory download devices. Trying to find out
what is going on and challenged by moral and scientific
arguments, Gibson unites with his clone and the two men start
their battle against the assassins for their lives, their
humanity, and their freedom. The 6th Day is an intriguing sci-fi
thriller, combining scientific fact and fiction with everything
viewers could want from a Schwarzenegger movie: terrific special
effects and an action-packed story, with two Arnolds for twice
the fun.
THE COUNT OF MONTE CRISTO
(2002)
In this highly entertaining, beautifully photographed rekindling
of the classic French novel of the same name written by Alexandre
Dumas in 1844, director Kevin Reynolds choreographs a fantastic
adventure replete with breathtaking scenery, fiery swashbuckling
battles, lavish costumes, and, above all else, sweet revenge. In
19th-century Marseilles, Edmond Dantès (Jim Caviezel), a
guileless and honest, optimistic but uneducated young man, is a
dashing sailor. He cherishes his friendship with the son of a
count, Fernand Mondego (Guy Pearce), is deeply in love with his
beautiful fiancée, Mercédès (Dagmara
Dominczyk) he plans to marry, and is about to become captain of
the Pharaon, a three-masted ship belonged to the firm of Morrel
& Son. Young Dantès is so innocent and naive that it
is positively shocking when Mondego turns on him, accusing him of
treason, and having him sentenced to life in the dreary dungeon
of the infamous island prison of Château d'If. Years of
isolation and torture nearly defeat the revenge-thirsty
Dantès, but with the help of invaluable lessons from
Abbé Faria (Richard Harris), another inmate, his luck
slowly changes. An incredible prison break frees Dantès
from his 13-year unfair imprisonment. He escapes from
Château d'If with trouble in mind and revenge in his heart.
Battles with pirates lead to hunts for Spada's immense treasure
hidden in the caves of the Island of Monte Cristo, and soon
Dantès is living in Marseille as the transformed, newly
rich, mysterious, self-proclaimed Count of Monte Cristo, always
accompanied by his valet, Jacopo (Luiz Guzman). Installed in a
ritzy château, he slowly unfurls his excruciatingly careful
plans to exact his revenge on Mondego and all those who ever
wronged him. With cunning ruthlessness, he cleverly insinuates
himself into the French nobility and systematically destroys the
men who manipulated, betrayed and enslaved him - treacherous and
jealous Mondego, now the Count of Morcerf, who falsely accused
him and stole his fiancée, villainous chief magistrate
Gérard de Villefort (James Frain) who put him into prison
thereby protecting his own interests, envious and devious
Danglars (Albie Woodington), the ex-first mate of the Pharaon who
felt usurped by Edmond Dantès and duly plotted his
downfall. What will he do when his mission is over?
THE DA VINCI CODE (2006)
Dan Brown's controversial best-selling novel about a powerful
secret that's been kept under wraps for thousands of years comes
to the screen in this suspense thriller from director Ron Howard.
The stately silence of Paris' Louvre museum is broken when one of
the gallery's leading curators is found dead on the grounds, with
strange symbols carved into his body and left around the spot
where he died. Hoping to learn the significance of the symbols,
police bring in Sophie Neveu (Audrey Tautou), a gifted
cryptographer who is also the victim's granddaughter. Needing
help, Sophie calls on Robert Langdon (Tom Hanks), a leading
symbologist from the United States. As Sophie and Robert dig
deeper into the case, they discover the victim's involvement in
the Priory of Sion, a secret society whose members have been
privy to forbidden knowledge dating back to the birth of
Christianity. In their search, Sophie and Robert happen upon
evidence that could lead to the final resting place of the Holy
Grail, while members of the priory and an underground Catholic
society known as Opus Dei give chase, determined to prevent them
from sharing their greatest secrets with the world. Also starring
Ian McKellen, Jean Reno, and Alfred Molina, THE DA VINCI CODE was
shot on location in France and the United Kingdom; the Louvre
allowed the producers to film at the famous museum, but scenes
taking place at Westminster Abbey had to filmed elsewhere when
church officials declined permission.
THE DAY THE EARTH STOOD STILL
(2008)
A remake of the 1951 sci-fi classic of the same name (based on
the short story "Farewell to the Master" by Harry Bates), THE DAY
THE EARTH STOOD STILL follows astrobiologist Helen Benson
(Jennifer Connelly) as she is unceremoniously plucked from her
everyday life with her stepson (Jaden Smith), and whisked away to
consult the government on a top-secret matter. That matter
happens to be the arrival of a massive glowing sphere in Central
Park, accompanied by a towering robot-like protector dubbed Gort
and an alien ambassador named Klaatu (Keanu Reeves), who takes up
human form to communicate with the people of Earth. When Klaatu
finds himself faced with hawkish, uncompromising officials, he
goes on the run with Benson and her son as the fate of the world
gradually becomes clear. Directed by Scott Derrickson (THE
EXORCISM OF EMILY ROSE), this reimagining of THE DAY THE EARTH
STOOD STILL is fairly reverent to the original film, while adding
a number of 21st-century elements, most notably a darker tone
embodied by a more threatening Gort and the chilly, contemplative
Klaatu, who is portrayed with pitch-perfect remove by Reeves.
While the film - and the fate of humanity - rests on Reeves's
shoulders, the cast is impressively filled out by Connelly and
Smith, along with Kathy Bates, John Cleese, and familiar TV
actors Jon Hamm (MAD MEN) and Kyle Chandler (FRIDAY NIGHT
LIGHTS). Derrickson also tempers excellent special effects with a
bleak color palette and plenty of existential turmoil, making
this EARTH a thoughtful and fascinatingly moody blockbuster.
THE DEVIL WEARS PRADA (2006)
A drastic improvement on Lauren Weisberger's bestselling novel,
THE DEVIL WEARS PRADA showcases Meryl Streep's knack for
combining humor and sadness. While likely inspired by notorious
Vogue editor Anna Wintour, Streep's Miranda Priestly (head of
Runway magazine) is entirely her own creation. Sporting silvery
hair, a vast collection of fur coats, an encyclopedic knowledge
of all things fashionable, and a killer smile, Miranda is full of
wicked charm. With her mature beauty and commanding presence,
Miranda is as fascinating to watch as she is intimidating to the
constant rotation of assistants thrown her way. When bookish
Northwestern grad Andy Sachs (Anne Hathaway) interviews to become
Miranda's newest lackey, Miranda hires her not for her lackluster
wardrobe but for her intellect. Inside the pristine Runway
offices, Andy suffers through a never-ending list of impossible
tasks, and is the subject of constant harassment by Miranda's
jealous first assistant (Emily Blunt). But to the dismay of her
boyfriend (Adrian Grenier) and close friends, Andy slowly finds
herself seduced by the glamorous world of fashion, and by Miranda
herself. While Andy's transformation comes largely in the form of
new designer clothing, the makeover is mental as well. What
starts out as a firm belief in fashion's vapidity and in
Miranda's heartlessness gradually fades into the suspicion that
the boss from hell might just be hiding a soul. While the book
villainized its title character, the film gives new depths to her
wrath. As Andy trades her undergrad wardrobe for one packed with
Prada and Chanel (with help from Stanley Tucci in a brilliant
role), viewers are able to savor the work of costume designer
Patricia Field. Together with director David Frankel (who also
worked on SEX AND THE CITY), Field creates a world of fashion so
wonderfully extreme it would be hard for anyone to resist.
THE FIFTH ELEMENT (1997)
Ancient curses, all-powerful monsters, shape-changing assassins,
scantily-clad stewardesses, laser battles, huge explosions, a
perfect woman, a malcontent hero - what more can you ask of a
big-budget science fiction movie? Luc Besson's high-octane movie
incorporates presidents, rock stars, and cab drivers into its
peculiar plot, traversing worlds and encountering some pretty
wild aliens. The fifth element is part of a weapon that is used
in conjunction with the four other elements (Earth, Fire, Wind,
and Water) against an evil force that threatens Earth every 5,000
years. The weapon was created by a race of aliens, the
Mondoshawan, who safeguard its presence on earth in Egypt. But
when they fear the impending arrival of World War I, the
Mondoshawan take away the sacred stones representing the four
elements to be returned when the evil force next arrives near
planet earth during the course of its 5,000-year cycle,
approximately 250 years later in the year 2259. In the year 2259,
as the Mondoshawan return to complete their mission, their ship
is shot down through the orders of an agent of the evil force,
Jean-Baptiste Emmanuel Zorg (Gary Oldman). However, the
Mondoshawan, wise in their ways, did not trust humans and the
ship supposedly containing the stones turns out to be a decoy.
Meanwhile, the good guys on Earth are able to salvage a few cells
from the destroyed ship and reconstruct, using the genetic
information in the cells, the entire organism representing the
cells. The reconstructed organism turns out to be a perfect human
female, with the short name Leeloo (Milla Jovovich). In fright,
she busts out of the regeneration chamber and runs into Korben
Dallas (Bruce Willis), a New York City cabbie who had been a
highly decorated fighter pilot. Leeloo's mission is to find a
priest, Vito Cornelius (Ian Holm), who carries with him the
tradition of activating the fifth element against the evil force.
President Lindberg (Tom Lister Jr.), who was earlier made aware
of this information, enlists Dallas' aid to retrieve the four
stones from the Diva Plava Laguna (Maiwenn Le Besco). Along with
the aid of DJ Ruby Rhod (played hilariously by Chris Tucker),
Leeloo and Dallas confront Zorg and the evil force for control of
the elements...
THE HAUNTED MANSION (2003)
On the day of their anniversary, workaholic real estate agent Jim
Evers (Eddie Murphy) and his wife and business partner Sara
(Marsha Thomason) receive a strange phone call from a man called
Ramsley (Terence Stamp). In an ominous monotone he requests that
Sara come to the remote Gracey Manor that is for sale. Shrouded
in fog and mystery, the mansion was once a stately antebellum
palace that hosted New Orleans' wealthiest. Jim decides to turn
it into an opportunity to check out a possible gold-mine in real
estate, but to please Sara, he claims it is a "family trip",
bringing their two kids along. Once there, Ramsley the butler
insists that they stay, for a torrential storm suddenly floods
the roads. When the doors slam shut, the family must solve the
mystery of the mansion before they can leave together again. The
Evers are introduced to Master Edward Gracey (Nathaniel Parker),
the brooding and eccentric owner of the mansion, who seems
strangely obsessed with Sara. Jim goes off to talk to Gracey
about selling, but ends up in a secret passage instead. The kids
follow a floating ball to the attic, where they see a painting of
a woman who looks just like Sara! Jim and the kids eventually
discover the mansion's dark secret from Madame Leota (Jennifer
Tilly), a talking head floating in a crystal ball. She tells them
that Sara is in danger having some unexpected connection to its
haunted past and to save her, they must "lead the ghosts to the
light". After some spooky adventures and surprises in the haunted
house, the family manages to save the manor and Sara while
learning a valuable lesson about togetherness. Although this
spooky, CGI effect-packed Disney film, which is based on the
famous Disney World attraction, is full of ghosts and skeletons,
in general the movie is harmless kid stuff that is bursting with
cheerful color, noise, bloodless shocks and refreshingly
bathroom-free humor. Watching the movie with its scary music,
waltzing ghosts, changing portraits or singing busts is like
visiting one of the most popular Disney World rides.
THE HUNGER GAMES (2012)
In a dystopian future, the totalitarian nation of Panem is
divided into 12 districts and the Capitol. Each year two young
representatives from each district are selected by lottery to
participate in The Hunger Games. Part entertainment, part brutal
retribution for a past rebellion, the televised games are
broadcast throughout Panem. The 24 participants are forced to
eliminate their competitors while the citizens of Panem are
required to watch. Sixteen year old Katniss Everdeen (Jennifer
Lawrence) volunteers in her younger sister's place to enter the
games, and is forced to rely upon her sharp instincts as well as
the mentorship of drunken former victor Haymitch Abernathy (Woody
Harrelson) when she, along with her male counterpart, Peeta
Mellark (Josh Hutcherson), is pitted against highly-trained
Tributes who have prepared for these Games their entire lives. If
she is ever to return home to District 12, Katniss must make
impossible choices in the arena that weigh survival against
humanity and life against love.
THE ILLUSIONIST (2006)
In a world where nothing is as it appears, an illusionist and a
police inspector face off in a challenge of wills that attempts
to determine where reality ends and magic begins... all the while
blurring the line between power and corruption, love and
devotion, vigilance and mania and ultimately, life and death. A
supernatural mystery that combines romance, politics and magic,
THE ILLUSIONIST is written and directed by Neil Burger - who
received acclaim and award recognition for his debut feature,
2002's INTERVIEW WITH THE ASSASSIN - and is based on Pulitzer
Prize-winning author Steven Millhauser's short story "Eisenheim
the Illusionist." The film stars Academy Award nominees Edward
Norton (FIGHT CLUB, AMERICAN HISTORY X) and Paul Giamatti
(CINDERELLA MAN, SIDEWAYS) as two men pitted against each other
in a battle of wits. Norton plays a mysterious stage magician,
Eisenheim, who bends nature's laws to his will in front of
awestruck crowds in early 1900s Vienna. Giamatti co-stars as
Vienna's shrewd Chief Inspector Uhl, a man committed to uphold
the law and for whom magic holds no place in his ordered world.
Jessica Biel (ELIZABETHTOWN) shares the screen as the beautiful
and enigmatic Sophie von Teschen, who finds her future inexorably
altered when she encounters the man called Eisenheim, and
Eisenheim comes dangerously close to unlocking the dark secret of
the monarchy that she holds. When Eisenheim begins to perform his
astounding illusions in Vienna, word quickly spreads of his
otherworldly powers... even reaching the ears of one of Europe's
most powerful and pragmatic men, Crown Prince Leopold (Rufus
Sewell, DARK CITY). Certain that the illusionist is nothing more
than an accomplished fraud, Leopold attends one of Eisenheim's
shows, convinced that he can debunk him during the performance.
But when the Prince's beautiful fiancée and companion,
Sophie von Teschen, assists the magician onstage, Eisenheim and
Sophie recognize each other from their childhoods-and a dormant
love affair is rekindled. With Eisenheim and Leopold vying for
Sophie's affection, it quickly becomes apparent that both will go
to any length to claim and keep her love. As the clandestine
romance continues, Uhl is charged by Leopold to intensify his
efforts to expose Eisenheim, even while the magician gains a
devoted and vocal public following. With Uhl doggedly searching
for the reasons and the man behind the trickery, Eisenheim
prepares to execute his greatest illusion yet.
THE ISLAND (2005)
Blockbuster action director Michael Bay (ARMAGEDDON, PEARL
HARBOR) delivers a striking look at a strange world of the future
in this sci-fi action drama. Midway through the 21st century,
Lincoln Six Echo (Ewan McGregor) lives in a confined indoor
community after ongoing abuse of the Earth has rendered most of
the planet uninhabitable. One of the only places in the outside
world still capable of sustaining life is an idyllic island where
citizens are chosen to live through a lottery. Or at least that's
what Lincoln and his fellow citizens are taught to believe; the
truth is that Lincoln, like everyone he knows, is actually a
clone who is kept under wraps to provide needed organs when the
person who supplied his or her DNA falls ill. When he becomes
aware that his existence is a fraud, Lincoln escapes to the
outside world with a fellow clone, Jordan Two Delta (Scarlett
Johansson), though the powers that be are determined to see that
no one gets away alive. Rounding out the main cast of THE ISLAND
are Oscar nominee Djimon Hounsou (IN AMERICA, GLADIATOR) as the
leader of the security team pursuing Lincoln and Jordan; Sean
Bean (NATIONAL TREASURE, THE LORD OF THE RINGS trilogy) as the
head of the Institute; Steve Buscemi (GHOST WORLD, ARMAGEDDON) as
a man who befriends Lincoln despite working for the institute;
and Oscar nominee Michael Clarke Duncan (THE GREEN MILE,
ARMAGEDDON) as another resident who is elated and envied when he
is selected to go to "The Island."
THE ITALIAN JOB (2003)
The plan was flawless. The job was executed perfectly. The escape
was clean. The only threat mastermind thief Charlie Croker (Mark
Wahlberg) never saw coming was from a member of his own crew.
After pulling off an amazing gold bullion heist of 35 million
U.S. dollars in bars of gold from a heavily guarded palazzo in
Venice, Italy, Charlie and his gang - inside man Steve (Edward
Norton), computer geek Lyle, or Napster (Seth Green), adrenaline
junky wheelman Handsome Rob (Jason Statham), explosives expert
Left Ear (Mos Def) and veteran safecracker John Bridger (Donald
Sutherland) - can't believe it when one of them turns out to be a
double-crosser who performs a heist of his own, killing John
Bridger and running off with the gold, thinking that Charlie and
his mates are all deceased. Now the job isn't about the payoff,
it's about payback! Charlie and his cronies follow the
backstabber to Los Angeles, California, one year later. They are
joined by Stella Bridger (Charlize Theron), a beautiful
nerves-of-steel safecracker who wants to inflict her vengeance on
the killer of her father. After doing some reconnaissance work,
the team fashions an "Italian Job" and elaborates a smart and
devious plan to re-steal the gold and get their revenge on the
traitor by tapping into Los Angeles' traffic control system,
manipulating signals and creating one of the biggest traffic jams
in the history of the city! A contemporary Americanized update of
Peter Collinson's 1969 British classic, THE ITALIAN JOB features
the ever-popular Mini Coopers in state-of-the-art chase scenes
down Hollywood's Walk of Fame, through the Metro Rail tunnels and
down narrow escape routes only Mini Cooper sports cars can go.
Full of twists, turns and exciting stunts with armored cars,
motorcycles and helicopters, this action-packed thrill-ride takes
audiences on wild curves they'll never see coming.
THE JUNGLE BOOK (2016)
In this reimagining of the classic collection of stories by
Rudyard Kipling, director Jon Favreau uses visually stunning CGI
to create the community of animals surrounding Mowgli (Neel
Sethi), a human boy adopted by a pack of wolves. The appearance
of a villainous tiger named Shere Khan (voiced by Idris Elba)
forces Mowgli's guardian, the panther Bagheera (Ben Kingsley), to
shepherd the child to safety in the "man village." Along the way,
the boy meets an affable, lazy bear named Baloo (Bill Murray), as
well as a snake with hypnotic powers (Scarlett Johansson) and an
orangutan (Christopher Walken) who wants to harness the power of
fire. Lupita Nyong'o, Giancarlo Esposito, and Garry Shandling
also lend their voices to this adventure tale.
THE MARTIAN (2015)
During a manned mission to Mars, Astronaut Mark Watney (Matt
Damon) is presumed dead after a fierce storm and left behind by
his crew. But Watney has survived and finds himself stranded and
alone on the hostile planet. With only meager supplies, he must
draw upon his ingenuity, wit and spirit to subsist and find a way
to signal to Earth that he is alive. Millions of miles away, NASA
and a team of international scientists work tirelessly to bring
"the Martian" home, while his crewmates concurrently plot a
daring, if not impossible rescue mission. As these stories of
incredible bravery unfold, the world comes together to root for
Watney's safe return. Based on a best-selling novel, and helmed
by master director Ridley Scott, THE MARTIAN features a star
studded cast that includes Jessica Chastain, Kristen Wiig, Kate
Mara, Michael Pena, Jeff Daniels, Chiwetel Ejiofor, and Donald
Glover.
THE MASK (1994)
Hyperactive mayhem results when a mild-mannered bank officer
discovers an ancient mask that transforms him into a zany
prankster with superhuman powers in this
special-effects-intensive comedy. Wildly improvisational Jim
Carrey plays Stanley Ipkiss, a decent-hearted but socially
awkward guy who works as a new accounts clerk at a bank managed
by a spoilt brat. He is too nice for his own good and is a
pushover when it comes to confrontations. Just before Stanley
decides to end his boring existence, he finds a strange wooden
mask. After Stanley puts on the mask (supposedly containing the
imprisoned [by Odin] spirit of Loki, the Norse night god of
mischief), the spineless accountant transforms into the Mask, a
wild romantic green-skinned, zoot-suited ball of fire. The Mask
possesses the courage to do the wild, fun things that Stanley
fears. Ipkiss robs the bank he works at, and goes on to woo blond
bombshell Tina Carlyle (Cameron Diaz), a torchy singer at the
swanky nightclub Coco Bongo, with the help of the mask's powers.
Too bad Tina's caught up with Dorian Tyrell (Peter Greene), a
brutal villainous mobster, who has ambitions of his own, resents
her affection for Ipkiss' alter-ego and decides to get rid of the
Mask. Meanwhile, the Mask isn't too popular with the cops either,
since he robbed the bank and destroyed the floor of his apartment
lobby to get even with his nagging landlady. So he becomes a
target of both the cops and the gangsters. To make things works,
Dorian gets a hold of the mask and becomes even more evil and
ruthless. All's well in the end when Ipkiss regains the mask
(thanks to his dog Milo) and sets things right - and, of course,
Dorian's moll now is in love with Ipkiss since he was the only
guy who didn't treat her like a plaything, and she accepts him
even though he gets rid of the mask in the end. In addition to
Carrey's extraordinary inimitable antics, the film makes
effective use of digital visual effects that bestow the Mask with
superhuman speed, insane flexibility, and popping eyes out of a
Tex Avery cartoon. The film delivered enough laughs to become a
surprise hit and, along with the same year's Dumb and Dumber,
establish Carrey's status as a comedy superstar.
THE PURSUIT OF HAPPINESS
(2006)
The rousing, true-life story of a single dad who went from living
on the streets to owning his own brokerage firm is brought to the
big screen by superstar Will Smith, appearing for the first time
opposite his real-life son Jaden Smith. Chris Gardner (Will
Smith) is a bright and talented but marginally employed salesman.
Struggling to make ends meet, Gardner finds himself and his
five-year-old son evicted from their San Francisco apartment with
nowhere to go. When Gardner lands an internship at a prestigious
stock brokerage firm, he and his son endure many hardships,
including living in shelters, in pursuit of his dream of a better
life for the two of them. Chris Gardner (Will Smith) is a family
man struggling to make ends meet. Despite his valiant attempts to
help keep the family afloat, the mother (Thandie Newton) of his
five-year-old son Christopher (Jaden Christopher Syre Smith) is
buckling under the constant strain of financial pressure. No
longer able to cope, she reluctantly decides to leave. Chris, now
a single father, continues doggedly to pursue a better-paying job
using every sales skill he knows. He lands an internship at a
prestigious stock brokerage firm, and although there is no
salary, he accepts, hopeful he will end the program with a job
and a promising future. Without a financial cushion, Chris and
his son are soon evicted from their apartment and forced to sleep
in shelters, bus stations, bathrooms, or wherever they can find
refuge for the night. Despite his troubles, Chris continues to
honor his commitment as a loving and caring father, using the
affection and trust his son has placed in him as an impetus to
overcome the obstacles he faces.
THE SHAWSHANK REDEMPTION
(1994)
In 1946, a banker named Andy Dufresne (Tim Robbins) is convicted
of a double murder, even though he stubbornly proclaims his
innocence. He's sentenced to a life term at the Shawshank State
Prison in Maine, where another lifer, Ellis "Red" Redding (Morgan
Freeman), picks him as the new recruit most likely to crack under
the pressure. The ugly realities of prison life are quickly
introduced to Andy: a corrupt warden (Bob Gunton), sadistic
guards led by Capt. Byron Hadley (Clancy Brown), and inmates who
are little better than animals, willing to use rape or beatings
to insure their dominance. But Andy does not crack: he has the
hope of the truly innocent, which (together with his smarts)
allow him to prevail behind bars. He uses his banking skills to
win favor with the warden and the guards, doing the books for
Norton's illegal business schemes and keeping an eye on the
investments of most of the prison staff. In exchange, he is able
to improve the prison library and bring some dignity and respect
back to many of the inmates, including Red. This beautifully
crafted movie features touching and sincere performances from the
entire cast, with an uplifting message about humanity's
indomitable spirit and the redemptive value of hope. Based on the
novella "Rita Hayworth and Shawshank Redemption" by Stephen King,
Frank Darabont's intriguing adaptation, THE SHAWSHANK REDEMPTION,
is easily one of the finest films of the 1990s.
THE SIMPSONS MOVIE (2007)
After eighteen seasons, four hundred episodes, and innumerable
awards and honors (including a Peabody, 23 Emmys and a
designation from Time magazine as the "best television show of
the twentieth century"), the most popular animated family on the
small screen makes the leap into theaters as Homer (voiced by Dan
Castellaneta), Marge (voiced by Julie Kavner), Lisa (voiced by
Yeardley Smith), Bart (voiced by Nancy Cartwright), and Maggie
(voiced by Nancy Cartwright) embark on their first-ever
feature-length adventure. And it's a good thing, too, because it
takes a wide screen to fully capture Homer Simpson's epic
stupidity. In the eagerly-awaited film based on the hit
television series, Homer must save the world from a catastrophe
he himself created. It all begins with Homer, his new pet pig,
and a leaky silo full of droppings - a combination that triggers
a disaster the likes of which Springfield has never experienced.
As Marge is outraged by Homer's monumental blunder, a vengeful
mob descends on the Simpson household. The family makes a narrow
escape, but is soon divided by both location and conflict. The
Springfield citizenry has every reason to be out for Simpson
blood. The calamity triggered by Homer has drawn the attention of
U.S. President Arnold Schwarzenegger (voiced by Harry Shearer)
and Environmental Protection Agency head Russ Cargill (voiced by
Albert Brooks). "You know sir," Cargill tells the president,
"when you made me head of the EPA, you were applauded for
appointing one of the most successful men in America to the least
successful agency in government. And why did I take the job?
Because I'm a rich man who wanted to give something back. Not the
money, but something." That "something" is a devil's plan to
contain the disaster. As the fates of Springfield and the world
hang in the balance, Homer embarks on a personal odyssey of
redemption - seeking forgiveness from Marge, the reunion of his
splintered family, and the salvation of his hometown.
THE SIXTH SENSE (1999)
This third feature by M. Night Shyamalan sets itself up as a
thriller, poised on the brink of delivering monstrous scares, but
gradually evolves into more of a psychological drama with
supernatural undertones. Child psychologist Malcolm Crowe (Bruce
Willis) is about to celebrate with his wife (Olivia Williams) an
award he just received, when he is shot in the stomach by one of
his former patients, Vincent Gray (Donnie Wahlberg), who
immediately takes his own life). Crowe blames himself for failing
the patient, and his career takes a downward turn as he alienates
his wife. He soon finds a chance to make amends when he run
across a small 9-year old boy, Cole Sear (Haley Joel Osment), who
displays the same psychiatric symptoms his former patient did.
This time, Crowe is determined to set things right. Having failed
his loved ones and himself, he is not about to give up on Cole.
Cole's mom (Toni Collette) is at her wit's end with what to do
about her son's increasing problems. Crowe is the boy's only
hope. Crowe meets with the boy and begins his therapy. But the
boy's problems may be too much even for Crowe to handle: Cole
seems to see ghosts of dead people who don't know they're dead
and who want him to do things for them as a form of closure.
Confused by his paranormal powers, Cole is too young to
understand his purpose and too terrified to tell anyone about his
torment. Most of the film is about the interplay between Cole and
Crowe, and how they both win each other's trust in order to solve
their individual problems. The way The Sixth Sense is presented
is what makes it so cool, and this is completely non-obvious when
watching the film for the first time. And it's a credit to the
film makers that they do pull off a scenario where the audience
is forced to look back and think about the film again. You may be
able to shake off the sentimentality of The Sixth Sense, but its
craftsmanship and atmosphere will stay with you for days.
THE TIME MACHINE (2002)
Alexander Hartdegen (Guy Pearce) is an absent-minded 26-year-old
New York professor of Applied Mechanics and Engineering,
scientist and inventor preoccupied with what passes for
technology at the turn of the 20th century, in 1895. The one
thing that can distract him from his calculations is his love for
Emma (Sienna Guillory), his bride-to-be. When tragedy strikes and
he loses Emma, Alexander starts building secretly the
time-traveling machine to change the present by changing the
past. Four years later, the machine is finished and he makes an
attempt to change the past to bring Emma back. When that fails to
alter fate, he leaps forward in time, first in 2030, seeking
answers about the nature of time. Along the way, he is aided by
the Fifth Avenue Public Library information unit, Vox (Orlando
Jones), a compendium of all human knowledge, a third-generation,
fusion-powered photonic from the 21st century with verbal and
visual link capabilities connected to every database on the
planet. Eventually, Alexander lands 800,000 years in the future,
in 802701, in a dystopian world where humanity has divided up
into two races, the docile Eloi, who are calm and fun-loving
creatures, and the ferocious Morlocks, hideous underground
monsters who come out at night to kidnap the Eloi. There
Alexander befriends two of the Eloi, beautiful Mara and her
younger brother Kalen (Samantha and Omero Mumba) and attempts to
help them resist almost certain death at the hands of the
Morlocks controlled by the Uber-Morlock (Jeremy Irons).
Ultimately, Alexander makes a shocking discovery about the true
nature of the Eloi and Morlocks and decides that the only way to
change the future is to alter the present. This remake of the
1960 movie, based upon the 1895 classic sci-fi adventure novel by
Herbert Wells, is directed by Simon Wells, the great-grandson of
the author. Like Pearce's character, this version of the novel is
fascinated with technology and uses a daunting array of special
effects. The Time Machine is an engaging spectacle that's
anchored by Pearce and enhanced by the commanding appearance of
Jeremy Irons.
TOOTSIE (1982)
TOOTSIE is one of the most charming movies born of the 1980s.
Michael Dorsey (Dustin Hoffman) is a New York actor whose
stubborn opinions on how he should play roles have earned him a
reputation as "difficult". He is able to give succinct advice
when teaching his fellow actors, but he can't seem to land a job
himself. During a hilarious argument with his frustrated agent
George Fields (Sydney Pollack), he is told that no-one will hire
him. All Michael wants to do is raise enough money to put on a
play written by his roommate Jeff Slater (Bill Murray). As part
of his proactive teaching methods, Michael takes his friend Sandy
(Teri Garr) to try out for a part in a soap opera. In fact, he is
better at being a confident woman than she is. When she doesn't
get the part, Michael sees an opportunity to get work without the
Dorsey stigma getting in the way. He transforms himself into
Dorothy Michaels, sweet-talking southern gal, with a stern and
sometimes frightening forceful manner! Dorothy's strong will wins
a part in Southwest General, a wonderfully cheesy daytime soap
where she/he meets co-stars Julie Nichols (Jessica Lange) and
John Van Horn (George Gaynes). It is here that she is nicknamed
Tootsie by the show's chauvinistic director Ron Carlisle (Dabney
Coleman). Dorothy's cattle-prod assertiveness increases her
popularity with the hoards of female fans and the show's ratings
skyrocket. Complications arise as Dorothy starts to spend time
with Julie and falls in love with her, but Julie's father Les
(Charles Durning) also has his eye on the strong-willed southern
belle, and Dorothy is caught in the middle! Watch out for the
terrific montage at Les' farmhouse where the old romantic gazes
at Dorothy whilst she falls for Julie! Soon the pressure is too
much, hopping from one identity to another is giving our harried
actor an identity crisis, and so Tootsie needs to come out of the
closet...
TRUE LIES (1994)
Secret intelligence agent Harry Tasker (Arnold Schwarzenegger),
who has a tendency to be a bit reckless, is a busy man; when he's
not saving the world from terrorists, he's under cover as a
boring computer salesman, juggling the everyday needs of his
mousy wife Helen (Jamie Lee Curtis), a legal secretary, who has
no idea about her husband's real occupation, and his daughter
Dana (Eliza Dushku). While Harry and his partner Albert Gibson
(Tom Arnold) work to stop a gang of international terrorists from
getting their hands on missing nuclear weapons, Helen, feeling
neglected, begins a covert affair with Simon (Bill Paxton), a
sleazy used car salesman pretending to be a spy to attract women.
When Harry suspects his wife of cheating on him, he decides to
use his secret agent powers to find out what is happening and to
give Helen a lesson in spy games. He uses his resources to have
his wife's phone tapped, have her followed, have her captured,
have her interrogated, and have her coerced into becoming a spy,
all as an elaborate way to get her back... The lesson backfires
when the couple is kidnapped by an organization called the
Crimson Jihad and stuck in the middle of an international
terrorist crisis. Helen then discovers that Harry is a secret
agent by night, working for a shadowy group called the Omega
Sector, and that Harry and his partner Albert are trying to find
four nuclear warheads that have disappeared from one of the
former Soviet republics. Borrowing liberally from the French 1991
French spy comedy film LA TOTALE (The Jackpot), this is an action
picture, domestic comedy, and political thriller rolled into a
crowd-pleasing ball of entertainment. Director James Cameron
topped his previous spectaculars with this action-comedy
extravaganza (the most expensive movie ever made before Titanic),
featuring amazing stunts and special effects. Actual Harrier jets
were hired from the U.S. Air Force for their sequence, while
production dangled from a skyscraper over the streets of Miami
for the amazing climax. The shots taken with the planes are very
well done as are the bomb explosions, machine gun fire, and the
horse / motorcycle chase. You also get the added bonus of a
semi-nude Jamie Lee, looking incredible, doing a dirty dance for
her hubby. Cameron has wisely abandoned a serious approach and
this ends up being more of a comedy than anything else.
TWILIGHT (2008)
TWILIGHT is an action-packed, modern-day love story between a
teenage girl and a vampire. When Bella Swan (Kristen Stewart)
reluctantly moved to the perpetually overcast town of Forks, WA,
and set out to carve a niche for herself, she assumed it would be
one similar to the low-profile social position she held back in
Phoenix. First on the list of surprises was the unfamiliar
attention from the male population of her new high school;
second, the attention from one male in particular: Edward Cullen,
Vampire (Robert Pattinson). Before long, the unlikely soul mates
find themselves in a passionate relationship with a variety of
significant setbacks, including Edward's special-needs diet (he
doesn't eat humans, but Bella's scent inspires a nearly
impossible to harness bloodlust) and the human girl's mortality.
Though things proceed relatively smoothly at first (Edward even
introduces Bella to his adoptive vampire family), a visiting
vampire clan consisting of James (Cam Gigandet), Victoria
(Rachelle Lefevre), and Laurent (Edi Gathegi) catches Bella's
unique scent and threatens the young couple's budding, if
dangerous, happiness. James, known for his powerful tracking
ability, becomes obsessed with making Bella his next victim.
Fearing for Bella's safety and that of her loved ones, the
Cullens must combine their collective talents in order to stop
the highly predatory James before his goal is accomplished.
UNBREAKABLE (2000)
David Dunn (Bruce Willis), a Philadelphia security guard working
at Temple University's football stadium, is thinking of moving to
New York. His marriage with Audrey (Robin Wright Penn) is on the
verge of failing and the distance between him and his young son
Joseph (Spencer Treat Jamison) increases. One day when he's
coming home from a job interview, his train derails outside
Philadelphia. David miraculously survives the catastrophic train
crash. Not only is he the sole survivor out of 132 passengers, he
also is completely unharmed without a single scratch on him. A
little later, David is contacted by Elijah Price (Samuel L.
Jackson), who runs a comic book art gallery and suffers from an
incurable medical condition called osteogensis imperfecta that
makes his bones very easy to break. Elijah has been a comic book
fan all his life, and has developed a theory that comic books are
the primary conduit of modern mythology, i.e. they are the
remains of an ancient system of storytelling, and the superheroes
and villains they tell about are based on real people. Elijah,
being incredibly breakable himself, believes that David is one of
these people, that he is an unbreakable superhero. David has
hardly ever been injured or sick. He has enormous strength, plus
an uncanny ability to tell if someone is about to or has done
something bad. The two of them seem to be linked by a curve, but
sitting on opposite ends. David does not accept this theory at
once, but eventually other odd coincidences force him to at least
test this nutcase's ideas... and the test results are everything
that Elijah expects. In the end, David accepts that there is, in
fact, some part of him driven to seek out and oppose true
evildoers - those who kill with pleasure - and in a dramatic
sequence fights his first battle as a vigilante. But after all,
David's fate is not only to find his real place in the world. It
also is about proving Elijah's theory of his own existence, for
if there is the superhero in the world, there should be the
villain nearby to counterbalance. Weaving a strange and exotic
good-versus-evil tale of two protagonists who lead opposite lives
in the physical realm, the unbreakable David and the radically
breakable Elijah, this mind-shattering thriller with supernatural
overtones makes deft use of cinematography and dripping suspense
to leave its audience perched on the edge of curiosity.
WHAT DREAMS MAY COME (1998)
Based on a metaphysical 1978 novel by science fiction and horror
author Richard Matheson, this romantic fantasy-drama won an Oscar
for its expensive and impressive visual vistas depicting an
imaginative afterlife. Robin Williams stars as Chris Nielsen, a
doctor who has suffered with his artist wife Annie (Annabella
Sciorra) through the devastating loss of their children, Marie
and Ian, who were killed in a car accident. Although Annie's
all-consuming depression nearly destroyed their marriage, the
couple rebuilt their relationship and are now living out a
comfortable middle age. Stopping one night to help a motorist in
a wreck, Chris is struck by a car and killed. At first confused
about where he is, Chris meets Albert (Cuba Gooding Jr.), a
spiritual guide who helps him to realize he's passed away and
that he must move on to the next world. After trying with only
limited success to communicate with the devastated Annie, Chris
moves on and discovers an afterlife that can become whatever one
envisions, where even his pet dog awaits him. What Chris
envisions as paradise are the paintings of his wife, and he
happily takes up residence there, awaiting the far-off day when
Annie will eventually join him. He also meets his children,
although they have chosen different appearances than the ones
they had in life. Then tragedy strikes when Annie, inconsolable,
commits suicide and goes to Hell. Although it is rarely done,
Chris insists on traveling there, risking his eternal soul to
save the woman he loves. Accompanied part of the way by Albert
and a wizened guide called The Tracker (Max von Sydow), Chris
finally reaches Annie in Hell, and must convince her of the truth
in order to release her from her dark prison.
YES MAN (2008)
Jim Carrey returns to hilarious form with this romantic comedy in
the same vein as the Carrey classic LIAR LIAR. After a few stints
in more serious features like ETERNAL SUNSHINE OF THE SPOTLESS
MIND and THE NUMBER 23, Carrey seems right at home playing Carl,
a divorcé who starts out the film depressed and withdrawn,
scared of taking a risk. Pressured by his best friend, Peter
(Bradley Cooper), to get his act together or be stuck with a
lonely life, Carl attends a New Age self-help seminar intended to
change "no men" like Carl into "yes men" willing to meet life's
challenges with gusto. Carl is reluctant at first, but finds the
seminar to be ultimately life-changing when he's coerced into
giving the "say yes" attitude a try. As the first opportunity to
say yes presents itself, Carl hesitantly utters the three-letter
word, setting the stage for a domino effect of good rewards, and
giving Carrey a platform to show off his comic chops. But over
time Carl realizes that saying yes to everything indiscriminately
can reap results as complicated and messy as his life had become
when saying "no" was his norm. The always-quirky Zooey Deschanel
adds her signature charm as Carl's love interest, Allison. An
unlikely match at first glance, the pair actually develop great
chemistry as the story progresses, the actors playing off each
other's different styles of humor. Rhys Darby also shines as
Carl's loveable but clueless boss, and THAT 70s SHOW's Danny
Masterson appears as another one of Carl's friends. While YES MAN
marks no major departure from Carrey's previous work, the sweet
crowd pleaser manages to showcase two sides of its leading
man.
ZOOTOPIA (2016)
The modern mammal metropolis of Zootopia is a city like no other.
Comprised of habitat neighborhoods like ritzy Sahara Square and
frigid Tundratown, it is a melting pot where animals from every
environment live together - a place where no matter what you are,
from the biggest elephant to the smallest shrew, you can be
anything. But when rookie Officer Judy Hopps (voice of Ginnifer
Goodwin) arrives, she discovers that being the first bunny on a
police force of big, tough animals is not so easy. Determined to
prove herself, she jumps at the opportunity to crack a case, even
if it means partnering with a fast-talking, scam-artist fox, Nick
Wilde (voice of Jason Bateman), to solve the mystery. Walt Disney
Animation Studios' ZOOTOPIA is a comedy-adventure directed by
Byron Howard (TANGLED, BOLT) and Rich Moore (WRECK-IT RALPH, THE
SIMPSONS) and co-directed by Jared Bush (PENN ZERO: PART-TIME
HERO).